midi-domain.md
markdown
| 1 | # MIDI Domain — Complete Reference |
| 2 | |
| 3 | > **Engine:** `muse/plugins/music/` · **Dependency:** `mido` for MIDI I/O |
| 4 | > **Scope:** Every command, module, type, and protocol in the MIDI domain plugin |
| 5 | |
| 6 | --- |
| 7 | |
| 8 | ## Overview |
| 9 | |
| 10 | The MIDI domain plugin treats a composition as a **content-addressed graph of note events** — not as a binary blob. Every note becomes a `NoteInfo` record with a stable SHA-256 content ID derived from its five fields. This unlocks operations that are structurally impossible in Git: |
| 11 | |
| 12 | - Read a track as musical notation, not binary bytes. |
| 13 | - Attribute any bar to the exact commit (and agent) that wrote it. |
| 14 | - Detect recurring melodic motifs independent of transposition. |
| 15 | - Partition a composition for parallel agent work with zero note-level conflicts. |
| 16 | - Enforce harmonic quality gates (no parallel fifths, proper cadences) in CI. |
| 17 | - Cherry-pick a harmonic transformation from one branch to another. |
| 18 | |
| 19 | --- |
| 20 | |
| 21 | ## Contents |
| 22 | |
| 23 | 1. [Note Identity Model](#1-note-identity-model) |
| 24 | 2. [Notation & Visualization Commands](#2-notation--visualization-commands) |
| 25 | 3. [Pitch, Harmony & Scale Commands](#3-pitch-harmony--scale-commands) |
| 26 | 4. [Rhythm & Dynamics Commands](#4-rhythm--dynamics-commands) |
| 27 | 5. [Structure & Voice-Leading Commands](#5-structure--voice-leading-commands) |
| 28 | 6. [History & Attribution Commands](#6-history--attribution-commands) |
| 29 | 7. [Multi-Agent Intelligence Commands](#7-multi-agent-intelligence-commands) |
| 30 | 8. [Transformation Commands](#8-transformation-commands) |
| 31 | 9. [Invariants & Quality Gate Commands](#9-invariants--quality-gate-commands) |
| 32 | 10. [Type Reference](#10-type-reference) |
| 33 | |
| 34 | --- |
| 35 | |
| 36 | ## 1. Note Identity Model |
| 37 | |
| 38 | Every note is a `NoteInfo` NamedTuple carrying five fields: |
| 39 | |
| 40 | | Field | Type | Description | |
| 41 | |---|---|---| |
| 42 | | `pitch` | `int` | MIDI note number (0–127; middle C = 60) | |
| 43 | | `velocity` | `int` | Note-on velocity (0–127) | |
| 44 | | `start_tick` | `int` | Onset in MIDI ticks from the beginning of the file | |
| 45 | | `duration_ticks` | `int` | Duration in MIDI ticks | |
| 46 | | `channel` | `int` | MIDI channel (0–15) | |
| 47 | |
| 48 | The content ID of a note is `SHA-256(pitch | velocity | start_tick | duration_ticks | channel)`. |
| 49 | Two notes with identical content IDs are the same note regardless of which file or commit they appear in. |
| 50 | |
| 51 | ### Bar Conversion |
| 52 | |
| 53 | MIDI ticks are converted to bar/beat positions using the file header's `ticks_per_beat` and an assumed 4/4 time signature. |
| 54 | |
| 55 | ``` |
| 56 | bar = (start_tick // ticks_per_beat // 4) + 1 |
| 57 | beat = ((start_tick // ticks_per_beat) % 4) + 1.0 + fraction_within_beat |
| 58 | ``` |
| 59 | |
| 60 | All commands accept `--bars N` or `--bar N` to filter output to a specific bar or range. |
| 61 | |
| 62 | --- |
| 63 | |
| 64 | ## 2. Notation & Visualization Commands |
| 65 | |
| 66 | ### `muse midi notes TRACK` |
| 67 | |
| 68 | List every note in a MIDI track as human-readable musical notation. |
| 69 | |
| 70 | ``` |
| 71 | muse midi notes tracks/melody.mid |
| 72 | muse midi notes tracks/melody.mid --commit HEAD~10 |
| 73 | muse midi notes tracks/melody.mid --bar 4 |
| 74 | muse midi notes tracks/melody.mid --json |
| 75 | ``` |
| 76 | |
| 77 | **Flags** |
| 78 | |
| 79 | | Flag | Default | Description | |
| 80 | |---|---|---| |
| 81 | | `--commit TEXT` | working tree | Resolve the track from a historical commit | |
| 82 | | `--bar INTEGER` | all | Filter to a single bar | |
| 83 | | `--json` | false | Emit JSON instead of text | |
| 84 | |
| 85 | **Text output columns:** `Bar`, `Beat`, `Pitch`, `Vel`, `Dur(beats)`, `Channel` |
| 86 | |
| 87 | **JSON output** |
| 88 | |
| 89 | ```json |
| 90 | { |
| 91 | "track": "tracks/melody.mid", |
| 92 | "commit": "cb4afaed", |
| 93 | "note_count": 23, |
| 94 | "bar_count": 8, |
| 95 | "key_estimate": "G major", |
| 96 | "notes": [ |
| 97 | { |
| 98 | "bar": 1, "beat": 1.0, "pitch_name": "G4", "pitch": 67, |
| 99 | "velocity": 80, "duration_beats": 1.0, "channel": 0 |
| 100 | } |
| 101 | ] |
| 102 | } |
| 103 | ``` |
| 104 | |
| 105 | --- |
| 106 | |
| 107 | ### `muse midi piano-roll TRACK` |
| 108 | |
| 109 | ASCII piano roll visualization — pitch on the Y-axis, time on the X-axis, bar lines included. |
| 110 | |
| 111 | ``` |
| 112 | muse midi piano-roll tracks/melody.mid |
| 113 | muse midi piano-roll tracks/melody.mid --bars 1-4 |
| 114 | muse midi piano-roll tracks/melody.mid --commit HEAD~5 --resolution 4 |
| 115 | ``` |
| 116 | |
| 117 | **Flags** |
| 118 | |
| 119 | | Flag | Default | Description | |
| 120 | |---|---|---| |
| 121 | | `--commit TEXT` | working tree | Historical snapshot | |
| 122 | | `--bars TEXT` | all | Bar range (`1-8`, `3-6`) | |
| 123 | | `--resolution INTEGER` | 2 | Cells per beat (2 = eighth-note, 4 = sixteenth-note) | |
| 124 | |
| 125 | Each cell represents one time slice. `════` indicates a sustained note; the pitch label appears at the onset. |
| 126 | |
| 127 | --- |
| 128 | |
| 129 | ### `muse midi instrumentation TRACK` |
| 130 | |
| 131 | Per-channel note count, pitch range, register classification, and mean velocity. |
| 132 | |
| 133 | ``` |
| 134 | muse midi instrumentation tracks/full_score.mid |
| 135 | muse midi instrumentation tracks/full_score.mid --commit HEAD --json |
| 136 | ``` |
| 137 | |
| 138 | **Flags** |
| 139 | |
| 140 | | Flag | Default | Description | |
| 141 | |---|---|---| |
| 142 | | `--commit TEXT` | working tree | Historical snapshot | |
| 143 | | `--json` | false | Machine-readable output | |
| 144 | |
| 145 | **Register classification:** `bass` (MIDI < 48), `mid` (48–71), `treble` (≥ 72). |
| 146 | |
| 147 | **JSON output** |
| 148 | |
| 149 | ```json |
| 150 | { |
| 151 | "track": "tracks/full_score.mid", |
| 152 | "channel_count": 3, |
| 153 | "total_notes": 106, |
| 154 | "channels": [ |
| 155 | { |
| 156 | "channel": 0, "note_count": 34, |
| 157 | "pitch_min": 36, "pitch_max": 43, |
| 158 | "pitch_min_name": "C2", "pitch_max_name": "G2", |
| 159 | "register": "bass", "mean_velocity": 84.2 |
| 160 | } |
| 161 | ] |
| 162 | } |
| 163 | ``` |
| 164 | |
| 165 | --- |
| 166 | |
| 167 | ## 3. Pitch, Harmony & Scale Commands |
| 168 | |
| 169 | ### `muse midi harmony TRACK` |
| 170 | |
| 171 | Bar-by-bar chord detection and key signature estimation using the Krumhansl-Schmuckler key-finding algorithm. |
| 172 | |
| 173 | ``` |
| 174 | muse midi harmony tracks/melody.mid |
| 175 | muse midi harmony tracks/melody.mid --commit HEAD~3 |
| 176 | muse midi harmony tracks/melody.mid --json |
| 177 | ``` |
| 178 | |
| 179 | **Flags** |
| 180 | |
| 181 | | Flag | Default | Description | |
| 182 | |---|---|---| |
| 183 | | `--commit TEXT` | working tree | Historical snapshot | |
| 184 | | `--json` | false | Machine-readable output | |
| 185 | |
| 186 | **Text output:** key estimate, table of `Bar → Chord → Notes → Pitch classes`, pitch class distribution histogram. |
| 187 | |
| 188 | **JSON output** |
| 189 | |
| 190 | ```json |
| 191 | { |
| 192 | "track": "tracks/melody.mid", |
| 193 | "key_estimate": "G major", |
| 194 | "total_notes": 23, |
| 195 | "bar_count": 8, |
| 196 | "bars": [ |
| 197 | {"bar": 1, "chord": "Gmaj", "pitch_classes": ["G", "B", "D"], "note_count": 4} |
| 198 | ], |
| 199 | "pitch_class_distribution": {"G": 8, "B": 3, "D": 4} |
| 200 | } |
| 201 | ``` |
| 202 | |
| 203 | --- |
| 204 | |
| 205 | ### `muse midi scale TRACK` |
| 206 | |
| 207 | Scale and mode detection across 15 scale types and all 12 chromatic roots, ranked by confidence. |
| 208 | |
| 209 | **Supported scales:** major, natural minor, harmonic minor, melodic minor, dorian, phrygian, lydian, mixolydian, locrian, major pentatonic, minor pentatonic, blues, whole-tone, diminished, chromatic. |
| 210 | |
| 211 | ``` |
| 212 | muse midi scale tracks/lead.mid |
| 213 | muse midi scale tracks/lead.mid --top 5 |
| 214 | muse midi scale tracks/melody.mid --json |
| 215 | ``` |
| 216 | |
| 217 | **Flags** |
| 218 | |
| 219 | | Flag | Default | Description | |
| 220 | |---|---|---| |
| 221 | | `--commit TEXT` | working tree | Historical snapshot | |
| 222 | | `--top INTEGER` | 3 | Number of best-match results to display | |
| 223 | | `--json` | false | Machine-readable output | |
| 224 | |
| 225 | **JSON output** |
| 226 | |
| 227 | ```json |
| 228 | { |
| 229 | "track": "tracks/lead.mid", |
| 230 | "matches": [ |
| 231 | { |
| 232 | "rank": 1, "root": "E", "scale": "natural minor", |
| 233 | "confidence": 0.971, "out_of_scale_count": 0 |
| 234 | } |
| 235 | ] |
| 236 | } |
| 237 | ``` |
| 238 | |
| 239 | --- |
| 240 | |
| 241 | ### `muse midi contour TRACK` |
| 242 | |
| 243 | Melodic contour analysis: shape classification, pitch range, direction-change count, and interval sequence. |
| 244 | |
| 245 | **Shape types:** `ascending`, `descending`, `arch`, `valley`, `wave`, `flat`. |
| 246 | |
| 247 | ``` |
| 248 | muse midi contour tracks/lead.mid |
| 249 | muse midi contour tracks/lead.mid --commit HEAD~5 --json |
| 250 | ``` |
| 251 | |
| 252 | **Flags** |
| 253 | |
| 254 | | Flag | Default | Description | |
| 255 | |---|---|---| |
| 256 | | `--commit TEXT` | working tree | Historical snapshot | |
| 257 | | `--json` | false | Machine-readable output | |
| 258 | |
| 259 | **JSON output** |
| 260 | |
| 261 | ```json |
| 262 | { |
| 263 | "track": "tracks/lead.mid", |
| 264 | "shape": "arch", |
| 265 | "pitch_range_semitones": 35, |
| 266 | "pitch_min_name": "D3", |
| 267 | "pitch_max_name": "C6", |
| 268 | "direction_changes": 6, |
| 269 | "avg_interval_size": 2.43, |
| 270 | "intervals": [2, 3, 2, -1, 4, -3, 2] |
| 271 | } |
| 272 | ``` |
| 273 | |
| 274 | --- |
| 275 | |
| 276 | ### `muse midi tension TRACK` |
| 277 | |
| 278 | Harmonic tension curve: dissonance score per bar on a 0 (consonant) → 1 (maximally tense) scale. |
| 279 | |
| 280 | Tension is computed by summing the interval-dissonance weights for every simultaneous note pair in a bar. The weight table treats unisons and octaves as 0.0, perfect fifths as 0.1, major thirds as 0.2, and minor seconds as 1.0. |
| 281 | |
| 282 | ``` |
| 283 | muse midi tension tracks/epiano.mid |
| 284 | muse midi tension tracks/epiano.mid --commit HEAD~2 --json |
| 285 | ``` |
| 286 | |
| 287 | **Flags** |
| 288 | |
| 289 | | Flag | Default | Description | |
| 290 | |---|---|---| |
| 291 | | `--commit TEXT` | working tree | Historical snapshot | |
| 292 | | `--json` | false | Machine-readable output | |
| 293 | |
| 294 | **Tension labels:** `consonant` (< 0.15), `mild` (0.15–0.40), `tense` (0.40–0.65), `very tense` (≥ 0.65). |
| 295 | |
| 296 | **JSON output** |
| 297 | |
| 298 | ```json |
| 299 | { |
| 300 | "track": "tracks/epiano.mid", |
| 301 | "bars": [ |
| 302 | {"bar": 1, "tension": 0.08, "label": "consonant"}, |
| 303 | {"bar": 3, "tension": 0.67, "label": "tense"} |
| 304 | ] |
| 305 | } |
| 306 | ``` |
| 307 | |
| 308 | --- |
| 309 | |
| 310 | ### `muse midi cadence TRACK` |
| 311 | |
| 312 | Cadence detection at phrase boundaries: authentic, deceptive, half, and plagal. |
| 313 | |
| 314 | A cadence is detected when the last chord of a phrase (determined by note density minima) moves to another chord matching one of the four cadence patterns. |
| 315 | |
| 316 | ``` |
| 317 | muse midi cadence tracks/epiano.mid |
| 318 | muse midi cadence tracks/epiano.mid --strict |
| 319 | muse midi cadence tracks/epiano.mid --json |
| 320 | ``` |
| 321 | |
| 322 | **Flags** |
| 323 | |
| 324 | | Flag | Default | Description | |
| 325 | |---|---|---| |
| 326 | | `--commit TEXT` | working tree | Historical snapshot | |
| 327 | | `--strict` | false | Exit 1 if no cadences are found (CI gate) | |
| 328 | | `--json` | false | Machine-readable output | |
| 329 | |
| 330 | **JSON output** |
| 331 | |
| 332 | ```json |
| 333 | { |
| 334 | "track": "tracks/epiano.mid", |
| 335 | "cadence_count": 2, |
| 336 | "cadences": [ |
| 337 | {"bar": 5, "cadence_type": "half", "from_chord": "Em", "to_chord": "Bdom7"}, |
| 338 | {"bar": 9, "cadence_type": "authentic", "from_chord": "Bdom7", "to_chord": "Em"} |
| 339 | ] |
| 340 | } |
| 341 | ``` |
| 342 | |
| 343 | --- |
| 344 | |
| 345 | ## 4. Rhythm & Dynamics Commands |
| 346 | |
| 347 | ### `muse midi rhythm TRACK` |
| 348 | |
| 349 | Rhythmic analysis: syncopation score, swing ratio, quantisation accuracy, and dominant subdivision. |
| 350 | |
| 351 | ``` |
| 352 | muse midi rhythm tracks/drums.mid |
| 353 | muse midi rhythm tracks/drums.mid --commit HEAD~3 |
| 354 | muse midi rhythm tracks/bass.mid --json |
| 355 | ``` |
| 356 | |
| 357 | **Flags** |
| 358 | |
| 359 | | Flag | Default | Description | |
| 360 | |---|---|---| |
| 361 | | `--commit TEXT` | working tree | Historical snapshot | |
| 362 | | `--json` | false | Machine-readable output | |
| 363 | |
| 364 | **Computed fields:** |
| 365 | |
| 366 | | Field | Range | Meaning | |
| 367 | |---|---|---| |
| 368 | | `quantization_score` | 0–1 | 1.0 = every note perfectly on the grid | |
| 369 | | `syncopation_score` | 0–1 | 0 = no off-beat notes; 1 = fully syncopated | |
| 370 | | `swing_ratio` | ≥ 1.0 | 1.0 = straight; > 1.3 = noticeable swing | |
| 371 | | `dominant_subdivision` | string | The most common rhythmic grid in the track | |
| 372 | |
| 373 | **JSON output** |
| 374 | |
| 375 | ```json |
| 376 | { |
| 377 | "track": "tracks/drums.mid", |
| 378 | "note_count": 64, |
| 379 | "bar_count": 8, |
| 380 | "notes_per_bar_avg": 8.0, |
| 381 | "dominant_subdivision": "sixteenth", |
| 382 | "quantization_score": 0.942, |
| 383 | "syncopation_score": 0.382, |
| 384 | "swing_ratio": 1.003 |
| 385 | } |
| 386 | ``` |
| 387 | |
| 388 | --- |
| 389 | |
| 390 | ### `muse midi tempo TRACK` |
| 391 | |
| 392 | BPM estimation via inter-onset interval (IOI) voting. |
| 393 | |
| 394 | Onset times are converted to seconds using `ticks_per_beat`. The most common IOI is detected and inverted to beats-per-minute. Confidence is rated based on how many onsets agree with the estimate. |
| 395 | |
| 396 | ``` |
| 397 | muse midi tempo tracks/drums.mid |
| 398 | muse midi tempo tracks/drums.mid --json |
| 399 | ``` |
| 400 | |
| 401 | **Flags** |
| 402 | |
| 403 | | Flag | Default | Description | |
| 404 | |---|---|---| |
| 405 | | `--commit TEXT` | working tree | Historical snapshot | |
| 406 | | `--json` | false | Machine-readable output | |
| 407 | |
| 408 | **JSON output** |
| 409 | |
| 410 | ```json |
| 411 | { |
| 412 | "track": "tracks/drums.mid", |
| 413 | "bpm": 96.0, |
| 414 | "ticks_per_beat": 480, |
| 415 | "confidence": "high", |
| 416 | "method": "ioi_voting" |
| 417 | } |
| 418 | ``` |
| 419 | |
| 420 | --- |
| 421 | |
| 422 | ### `muse midi density TRACK` |
| 423 | |
| 424 | Notes-per-beat per bar — the textural arc of a composition. |
| 425 | |
| 426 | ``` |
| 427 | muse midi density tracks/drums.mid |
| 428 | muse midi density tracks/full.mid --commit HEAD~5 --json |
| 429 | ``` |
| 430 | |
| 431 | **Flags** |
| 432 | |
| 433 | | Flag | Default | Description | |
| 434 | |---|---|---| |
| 435 | | `--commit TEXT` | working tree | Historical snapshot | |
| 436 | | `--json` | false | Machine-readable output | |
| 437 | |
| 438 | **JSON output** |
| 439 | |
| 440 | ```json |
| 441 | { |
| 442 | "track": "tracks/drums.mid", |
| 443 | "bar_count": 8, |
| 444 | "peak_bar": 5, |
| 445 | "peak_density": 6.25, |
| 446 | "avg_density": 5.1, |
| 447 | "bars": [ |
| 448 | {"bar": 1, "notes": 16, "density": 4.0}, |
| 449 | {"bar": 5, "notes": 25, "density": 6.25} |
| 450 | ] |
| 451 | } |
| 452 | ``` |
| 453 | |
| 454 | --- |
| 455 | |
| 456 | ### `muse midi velocity-profile TRACK` |
| 457 | |
| 458 | Dynamic range, RMS velocity, and histogram across the standard dynamic markings (ppp–fff). |
| 459 | |
| 460 | ``` |
| 461 | muse midi velocity-profile tracks/melody.mid |
| 462 | muse midi velocity-profile tracks/melody.mid --by-bar |
| 463 | muse midi velocity-profile tracks/melody.mid --commit HEAD~2 --json |
| 464 | ``` |
| 465 | |
| 466 | **Flags** |
| 467 | |
| 468 | | Flag | Default | Description | |
| 469 | |---|---|---| |
| 470 | | `--commit TEXT` | working tree | Historical snapshot | |
| 471 | | `--by-bar` | false | Show per-bar average velocity as a histogram | |
| 472 | | `--json` | false | Machine-readable output | |
| 473 | |
| 474 | **JSON output** |
| 475 | |
| 476 | ```json |
| 477 | { |
| 478 | "track": "tracks/melody.mid", |
| 479 | "note_count": 23, |
| 480 | "velocity_min": 48, |
| 481 | "velocity_max": 96, |
| 482 | "velocity_mean": 78.3, |
| 483 | "velocity_rms": 79.1, |
| 484 | "dynamic_character": "mf", |
| 485 | "histogram": { |
| 486 | "ppp": 0, "pp": 0, "p": 0, "mp": 2, |
| 487 | "mf": 12, "f": 8, "ff": 1, "fff": 0 |
| 488 | } |
| 489 | } |
| 490 | ``` |
| 491 | |
| 492 | --- |
| 493 | |
| 494 | ## 5. Structure & Voice-Leading Commands |
| 495 | |
| 496 | ### `muse midi motif TRACK` |
| 497 | |
| 498 | Recurring interval-pattern detection. Scans the interval sequence between consecutive notes for repeated sub-sequences of length ≥ `--min-length`. Motifs are identified by their interval vector, making detection transposition-invariant. |
| 499 | |
| 500 | ``` |
| 501 | muse midi motif tracks/lead.mid |
| 502 | muse midi motif tracks/melody.mid --min-length 4 --min-occurrences 3 |
| 503 | muse midi motif tracks/theme.mid --commit HEAD~5 --json |
| 504 | ``` |
| 505 | |
| 506 | **Flags** |
| 507 | |
| 508 | | Flag | Default | Description | |
| 509 | |---|---|---| |
| 510 | | `--commit TEXT` | working tree | Historical snapshot | |
| 511 | | `--min-length INTEGER` | 3 | Minimum number of intervals (notes − 1) in a motif | |
| 512 | | `--min-occurrences INTEGER` | 2 | Minimum number of times a pattern must appear | |
| 513 | | `--json` | false | Machine-readable output | |
| 514 | |
| 515 | **JSON output** |
| 516 | |
| 517 | ```json |
| 518 | { |
| 519 | "track": "tracks/lead.mid", |
| 520 | "motif_count": 2, |
| 521 | "motifs": [ |
| 522 | { |
| 523 | "intervals": [2, 2, -3], |
| 524 | "occurrences": 3, |
| 525 | "first_pitch_name": "E4", |
| 526 | "bars": [1, 5, 9] |
| 527 | } |
| 528 | ] |
| 529 | } |
| 530 | ``` |
| 531 | |
| 532 | --- |
| 533 | |
| 534 | ### `muse midi voice-leading TRACK` |
| 535 | |
| 536 | Classical counterpoint lint: parallel fifths, parallel octaves, and large leaps in the top voice. |
| 537 | |
| 538 | Voice-leading issues are detected by comparing successive simultaneous note pairs across MIDI channels. "Parallel" motion means two voices move in the same direction by the same interval class. |
| 539 | |
| 540 | ``` |
| 541 | muse midi voice-leading tracks/strings.mid |
| 542 | muse midi voice-leading tracks/choir.mid --strict |
| 543 | muse midi voice-leading tracks/strings.mid --json |
| 544 | ``` |
| 545 | |
| 546 | **Flags** |
| 547 | |
| 548 | | Flag | Default | Description | |
| 549 | |---|---|---| |
| 550 | | `--commit TEXT` | working tree | Historical snapshot | |
| 551 | | `--strict` | false | Exit 1 if any issues are found (CI gate) | |
| 552 | | `--json` | false | Machine-readable output | |
| 553 | |
| 554 | **Issue types:** `parallel_fifths`, `parallel_octaves`, `large_leap` (> 7 semitones in the top voice). |
| 555 | |
| 556 | **JSON output** |
| 557 | |
| 558 | ```json |
| 559 | { |
| 560 | "track": "tracks/strings.mid", |
| 561 | "issue_count": 2, |
| 562 | "issues": [ |
| 563 | {"bar": 6, "issue_type": "parallel_fifths", "description": "voices 0–1: parallel perfect fifths"}, |
| 564 | {"bar": 9, "issue_type": "large_leap", "description": "top voice: leap of 11 semitones"} |
| 565 | ] |
| 566 | } |
| 567 | ``` |
| 568 | |
| 569 | --- |
| 570 | |
| 571 | ### `muse midi compare TRACK COMMIT_A COMMIT_B` |
| 572 | |
| 573 | Semantic diff between two commits: side-by-side comparison of key, density, rhythm, and structure dimensions. |
| 574 | |
| 575 | ``` |
| 576 | muse midi compare tracks/epiano.mid HEAD~2 HEAD |
| 577 | muse midi compare tracks/melody.mid main feat/variation --json |
| 578 | ``` |
| 579 | |
| 580 | **Flags** |
| 581 | |
| 582 | | Flag | Default | Description | |
| 583 | |---|---|---| |
| 584 | | `--json` | false | Machine-readable output | |
| 585 | |
| 586 | **Compared dimensions:** note count, bar count, key estimate, density (avg notes/beat), swing ratio, syncopation score, quantisation score, dominant subdivision. |
| 587 | |
| 588 | **JSON output** |
| 589 | |
| 590 | ```json |
| 591 | { |
| 592 | "track": "tracks/epiano.mid", |
| 593 | "commit_a": "1b3c8f02", |
| 594 | "commit_b": "3f0b5c8d", |
| 595 | "dimensions": { |
| 596 | "note_count": {"a": 18, "b": 32, "delta": 14}, |
| 597 | "bar_count": {"a": 4, "b": 8, "delta": 4}, |
| 598 | "key_estimate": {"a": "E minor", "b": "E minor", "delta": "="}, |
| 599 | "density_avg": {"a": 4.5, "b": 5.1, "delta": 0.6}, |
| 600 | "swing_ratio": {"a": 1.0, "b": 1.0, "delta": 0.0}, |
| 601 | "syncopation_score": {"a": 0.11, "b": 0.38, "delta": 0.27}, |
| 602 | "quantization_score": {"a": 0.97, "b": 0.94, "delta": -0.03}, |
| 603 | "dominant_subdivision":{"a": "quarter", "b": "sixteenth", "delta": "changed"} |
| 604 | } |
| 605 | } |
| 606 | ``` |
| 607 | |
| 608 | --- |
| 609 | |
| 610 | ## 6. History & Attribution Commands |
| 611 | |
| 612 | ### `muse midi note-log TRACK` |
| 613 | |
| 614 | Note-level commit history: every commit that touched this track, with its note insertions and deletions expressed as musical notation. |
| 615 | |
| 616 | ``` |
| 617 | muse midi note-log tracks/melody.mid |
| 618 | muse midi note-log tracks/melody.mid --limit 10 |
| 619 | muse midi note-log tracks/melody.mid --json |
| 620 | ``` |
| 621 | |
| 622 | **Flags** |
| 623 | |
| 624 | | Flag | Default | Description | |
| 625 | |---|---|---| |
| 626 | | `--limit INTEGER` | all | Maximum number of commits to display | |
| 627 | | `--json` | false | Machine-readable output | |
| 628 | |
| 629 | **Text output format:** `+ pitch vel @beat dur ch` for insertions, `- pitch vel @beat dur ch (removed)` for deletions. |
| 630 | |
| 631 | --- |
| 632 | |
| 633 | ### `muse midi note-blame TRACK` |
| 634 | |
| 635 | Per-bar attribution: which commit (and author) introduced the notes in a given bar. |
| 636 | |
| 637 | ``` |
| 638 | muse midi note-blame tracks/melody.mid --bar 4 |
| 639 | muse midi note-blame tracks/melody.mid --json |
| 640 | ``` |
| 641 | |
| 642 | **Flags** |
| 643 | |
| 644 | | Flag | Default | Description | |
| 645 | |---|---|---| |
| 646 | | `--bar INTEGER` | 1 | Bar number to inspect | |
| 647 | | `--json` | false | Machine-readable output | |
| 648 | |
| 649 | **JSON output** |
| 650 | |
| 651 | ```json |
| 652 | { |
| 653 | "track": "tracks/melody.mid", |
| 654 | "bar": 4, |
| 655 | "note_count": 5, |
| 656 | "commit_id": "cb4afaed", |
| 657 | "committed_at": "2026-03-16T10:00:00+00:00", |
| 658 | "author": "alice", |
| 659 | "message": "Add D7 arpeggiation in bar 4" |
| 660 | } |
| 661 | ``` |
| 662 | |
| 663 | --- |
| 664 | |
| 665 | ### `muse midi hotspots` |
| 666 | |
| 667 | Bar-level churn leaderboard: which bars have accumulated the most note insertions and deletions across all commits. |
| 668 | |
| 669 | ``` |
| 670 | muse midi hotspots |
| 671 | muse midi hotspots --top 10 |
| 672 | muse midi hotspots --track tracks/melody.mid |
| 673 | muse midi hotspots --from HEAD~20 --top 5 |
| 674 | muse midi hotspots --json |
| 675 | ``` |
| 676 | |
| 677 | **Flags** |
| 678 | |
| 679 | | Flag | Default | Description | |
| 680 | |---|---|---| |
| 681 | | `--top INTEGER` | 10 | Number of bars to display | |
| 682 | | `--track TEXT` | all | Restrict to a single MIDI file | |
| 683 | | `--from TEXT` | initial commit | Start of the commit range | |
| 684 | | `--json` | false | Machine-readable output | |
| 685 | |
| 686 | **JSON output** |
| 687 | |
| 688 | ```json |
| 689 | { |
| 690 | "commit_count": 47, |
| 691 | "hotspots": [ |
| 692 | {"rank": 1, "track": "tracks/melody.mid", "bar": 8, "changes": 12}, |
| 693 | {"rank": 2, "track": "tracks/melody.mid", "bar": 4, "changes": 9} |
| 694 | ] |
| 695 | } |
| 696 | ``` |
| 697 | |
| 698 | --- |
| 699 | |
| 700 | ## 7. Multi-Agent Intelligence Commands |
| 701 | |
| 702 | ### `muse midi agent-map TRACK` |
| 703 | |
| 704 | Bar-level blame showing which author and commit last edited each bar. The musical equivalent of `git blame` at bar granularity. |
| 705 | |
| 706 | ``` |
| 707 | muse midi agent-map tracks/lead.mid |
| 708 | muse midi agent-map tracks/lead.mid --depth 100 |
| 709 | muse midi agent-map tracks/bass.mid --json |
| 710 | ``` |
| 711 | |
| 712 | **Flags** |
| 713 | |
| 714 | | Flag | Default | Description | |
| 715 | |---|---|---| |
| 716 | | `--depth INTEGER` | 50 | Maximum number of commits to walk | |
| 717 | | `--json` | false | Machine-readable output | |
| 718 | |
| 719 | **JSON output** |
| 720 | |
| 721 | ```json |
| 722 | { |
| 723 | "track": "tracks/lead.mid", |
| 724 | "bars": [ |
| 725 | {"bar": 1, "author": "agent-melody", "commit_id": "3f0b5c8d", "message": "Groove: full arrangement"}, |
| 726 | {"bar": 3, "author": "agent-harmony", "commit_id": "4e2c91aa", "message": "Harmony: modal interchange"} |
| 727 | ] |
| 728 | } |
| 729 | ``` |
| 730 | |
| 731 | --- |
| 732 | |
| 733 | ### `muse midi find-phrase TRACK --query QUERY_FILE` |
| 734 | |
| 735 | Phrase similarity search: find commits where the content of `TRACK` most closely resembles `QUERY_FILE`, using pitch-class histogram and interval fingerprint similarity. Detection is transposition-invariant — the same motif in a different key is still found. |
| 736 | |
| 737 | ``` |
| 738 | muse midi find-phrase tracks/lead.mid --query query/motif.mid |
| 739 | muse midi find-phrase tracks/lead.mid --query query/motif.mid --depth 20 |
| 740 | muse midi find-phrase tracks/lead.mid --query query/motif.mid --json |
| 741 | ``` |
| 742 | |
| 743 | **Flags** |
| 744 | |
| 745 | | Flag | Default | Description | |
| 746 | |---|---|---| |
| 747 | | `--query TEXT` | required | Path to the query MIDI file | |
| 748 | | `--depth INTEGER` | 20 | Maximum number of commits to scan | |
| 749 | | `--json` | false | Machine-readable output | |
| 750 | |
| 751 | **Similarity score:** `0.0` = no resemblance; `1.0` = identical. Composed from 60% interval fingerprint + 40% pitch-class histogram. |
| 752 | |
| 753 | **JSON output** |
| 754 | |
| 755 | ```json |
| 756 | { |
| 757 | "track": "tracks/lead.mid", |
| 758 | "query": "query/motif.mid", |
| 759 | "results": [ |
| 760 | {"score": 0.934, "commit_id": "3f0b5c8d", "author": "agent-melody", "message": "Groove: full arrangement"}, |
| 761 | {"score": 0.812, "commit_id": "4e2c91aa", "author": "agent-harmony", "message": "Harmony: modal interchange"} |
| 762 | ] |
| 763 | } |
| 764 | ``` |
| 765 | |
| 766 | --- |
| 767 | |
| 768 | ### `muse midi shard TRACK --shards N` |
| 769 | |
| 770 | Partition a MIDI track into N non-overlapping bar-range shards for parallel agent work. Agents working on different shards can commit independently and merge with zero note-level conflicts — identical to `muse coord shard` for code. |
| 771 | |
| 772 | ``` |
| 773 | muse midi shard tracks/full.mid --shards 4 |
| 774 | muse midi shard tracks/symphony.mid --bars-per-shard 32 --output-dir agents/ |
| 775 | muse midi shard tracks/full.mid --shards 8 --dry-run |
| 776 | ``` |
| 777 | |
| 778 | **Flags** |
| 779 | |
| 780 | | Flag | Default | Description | |
| 781 | |---|---|---| |
| 782 | | `--shards INTEGER` | required | Number of shards to produce | |
| 783 | | `--bars-per-shard INTEGER` | auto | Fixed bar count per shard (overrides `--shards`) | |
| 784 | | `--output-dir TEXT` | `shards/` | Directory for output shard files | |
| 785 | | `--dry-run` | false | Print shard plan without writing files | |
| 786 | |
| 787 | **Shard file naming:** `{stem}_shard_{n}.mid` in `--output-dir`. |
| 788 | |
| 789 | **Workflow:** shard → assign shards to agents → agents commit → `muse midi mix` to recombine. |
| 790 | |
| 791 | --- |
| 792 | |
| 793 | ### `muse midi query TRACK` |
| 794 | |
| 795 | MIDI DSL predicate query over note data and commit history. |
| 796 | |
| 797 | ``` |
| 798 | muse midi query tracks/melody.mid "bar=4" |
| 799 | muse midi query tracks/melody.mid "pitch=G4 velocity>70" |
| 800 | muse midi query tracks/melody.mid "bar>=2 bar<=5 channel=0" |
| 801 | muse midi query tracks/melody.mid "agent=agent-melody" --commit HEAD~10 |
| 802 | ``` |
| 803 | |
| 804 | **DSL predicates** |
| 805 | |
| 806 | | Predicate | Example | Description | |
| 807 | |---|---|---| |
| 808 | | `bar=N` | `bar=4` | Match notes in exactly bar N | |
| 809 | | `bar>=N`, `bar<=N` | `bar>=2 bar<=5` | Bar range | |
| 810 | | `pitch=X` | `pitch=G4` | Match by pitch name or MIDI number | |
| 811 | | `velocity>N` | `velocity>70` | Velocity threshold | |
| 812 | | `channel=N` | `channel=0` | MIDI channel filter | |
| 813 | | `agent=X` | `agent=alice` | Last-author filter (walks blame history) | |
| 814 | |
| 815 | **Flags** |
| 816 | |
| 817 | | Flag | Default | Description | |
| 818 | |---|---|---| |
| 819 | | `--commit TEXT` | working tree | Historical snapshot | |
| 820 | | `--json` | false | Machine-readable note list | |
| 821 | |
| 822 | --- |
| 823 | |
| 824 | ## 8. Transformation Commands |
| 825 | |
| 826 | All transformation commands modify the working tree. Run `muse status` after, then `muse commit` to record the note-level delta. |
| 827 | |
| 828 | ### `muse midi transpose TRACK --semitones N` |
| 829 | |
| 830 | Shift all notes by N semitones (positive = up, negative = down). |
| 831 | |
| 832 | ``` |
| 833 | muse midi transpose tracks/melody.mid --semitones 7 |
| 834 | muse midi transpose tracks/bass.mid --semitones -12 |
| 835 | muse midi transpose tracks/melody.mid --semitones 5 --clamp |
| 836 | muse midi transpose tracks/melody.mid --semitones 7 --dry-run |
| 837 | ``` |
| 838 | |
| 839 | **Flags** |
| 840 | |
| 841 | | Flag | Default | Description | |
| 842 | |---|---|---| |
| 843 | | `--semitones INTEGER` | required | Shift amount; negative = down | |
| 844 | | `--clamp` | false | Clamp out-of-range pitches to 0–127 instead of skipping | |
| 845 | | `--dry-run` | false | Preview without writing | |
| 846 | |
| 847 | --- |
| 848 | |
| 849 | ### `muse midi quantize TRACK --grid GRID` |
| 850 | |
| 851 | Snap note onset times to a rhythmic grid with adjustable strength. |
| 852 | |
| 853 | ``` |
| 854 | muse midi quantize tracks/piano.mid --grid 16th |
| 855 | muse midi quantize tracks/piano.mid --grid triplet-8th --strength 0.5 --dry-run |
| 856 | ``` |
| 857 | |
| 858 | **Flags** |
| 859 | |
| 860 | | Flag | Default | Description | |
| 861 | |---|---|---| |
| 862 | | `--grid TEXT` | required | Grid value: `whole`, `half`, `quarter`, `8th`, `16th`, `32nd`, `triplet-8th`, `triplet-16th` | |
| 863 | | `--strength FLOAT` | 1.0 | Quantisation strength 0.0–1.0; < 1.0 preserves human feel | |
| 864 | | `--dry-run` | false | Preview without writing | |
| 865 | |
| 866 | --- |
| 867 | |
| 868 | ### `muse midi humanize TRACK` |
| 869 | |
| 870 | Add controlled randomness to onset times and velocities to simulate human performance. |
| 871 | |
| 872 | ``` |
| 873 | muse midi humanize tracks/piano.mid |
| 874 | muse midi humanize tracks/piano.mid --timing 0.015 --velocity 10 --seed 42 |
| 875 | ``` |
| 876 | |
| 877 | **Flags** |
| 878 | |
| 879 | | Flag | Default | Description | |
| 880 | |---|---|---| |
| 881 | | `--timing FLOAT` | 0.01 | Max timing jitter in beats | |
| 882 | | `--velocity INTEGER` | 8 | Max velocity jitter (±) | |
| 883 | | `--seed INTEGER` | none | RNG seed for reproducible agent pipelines | |
| 884 | |
| 885 | --- |
| 886 | |
| 887 | ### `muse midi invert TRACK --pivot PITCH` |
| 888 | |
| 889 | Melodic inversion: every upward interval becomes downward and vice versa, reflected around the pivot pitch. |
| 890 | |
| 891 | ``` |
| 892 | muse midi invert tracks/melody.mid --pivot E4 |
| 893 | muse midi invert tracks/melody.mid --pivot E4 --dry-run |
| 894 | ``` |
| 895 | |
| 896 | **Flags** |
| 897 | |
| 898 | | Flag | Default | Description | |
| 899 | |---|---|---| |
| 900 | | `--pivot TEXT` | required | Pivot pitch name (`E4`) or MIDI number (`64`) | |
| 901 | | `--dry-run` | false | Preview without writing | |
| 902 | |
| 903 | The pivot pitch maps to itself; all other pitches are reflected symmetrically. |
| 904 | |
| 905 | --- |
| 906 | |
| 907 | ### `muse midi retrograde TRACK` |
| 908 | |
| 909 | Reverse the pitch order of all notes while preserving their timing, velocities, and durations. |
| 910 | |
| 911 | ``` |
| 912 | muse midi retrograde tracks/melody.mid |
| 913 | muse midi retrograde tracks/theme.mid --dry-run |
| 914 | ``` |
| 915 | |
| 916 | **Flags** |
| 917 | |
| 918 | | Flag | Default | Description | |
| 919 | |---|---|---| |
| 920 | | `--dry-run` | false | Preview without writing | |
| 921 | |
| 922 | Classic twelve-tone row operation. Combine with `invert` to produce the retrograde-inversion. |
| 923 | |
| 924 | --- |
| 925 | |
| 926 | ### `muse midi arpeggiate TRACK --rate RATE` |
| 927 | |
| 928 | Convert simultaneous chord voicings to sequential arpeggio notes. |
| 929 | |
| 930 | ``` |
| 931 | muse midi arpeggiate tracks/epiano.mid --rate 8th --order up-down |
| 932 | muse midi arpeggiate tracks/piano.mid --rate 16th --order random --seed 7 |
| 933 | ``` |
| 934 | |
| 935 | **Flags** |
| 936 | |
| 937 | | Flag | Default | Description | |
| 938 | |---|---|---| |
| 939 | | `--rate TEXT` | `8th` | Rhythmic rate: `quarter`, `8th`, `16th`, `32nd` | |
| 940 | | `--order TEXT` | `up` | Arpeggio direction: `up`, `down`, `up-down`, `random` | |
| 941 | | `--seed INTEGER` | none | RNG seed (used with `--order random`) | |
| 942 | |
| 943 | Simultaneous notes (onset within 10 ticks of each other) are grouped into chord clusters and distributed sequentially at the chosen rate. |
| 944 | |
| 945 | --- |
| 946 | |
| 947 | ### `muse midi normalize TRACK` |
| 948 | |
| 949 | Linearly rescale all note velocities to a target dynamic range while preserving relative dynamics. |
| 950 | |
| 951 | ``` |
| 952 | muse midi normalize tracks/lead.mid --min 50 --max 100 |
| 953 | muse midi normalize tracks/drums.mid --min 40 --max 120 |
| 954 | ``` |
| 955 | |
| 956 | **Flags** |
| 957 | |
| 958 | | Flag | Default | Description | |
| 959 | |---|---|---| |
| 960 | | `--min INTEGER` | 40 | Target minimum velocity | |
| 961 | | `--max INTEGER` | 110 | Target maximum velocity | |
| 962 | |
| 963 | Essential when integrating tracks from multiple agents recorded at different volume levels. |
| 964 | |
| 965 | --- |
| 966 | |
| 967 | ### `muse midi mix TRACK_A TRACK_B --output OUTPUT` |
| 968 | |
| 969 | Combine notes from two MIDI tracks into a single output file. |
| 970 | |
| 971 | ``` |
| 972 | muse midi mix tracks/melody.mid tracks/harmony.mid \ |
| 973 | --output tracks/full.mid \ |
| 974 | --channel-a 0 \ |
| 975 | --channel-b 1 |
| 976 | ``` |
| 977 | |
| 978 | **Flags** |
| 979 | |
| 980 | | Flag | Default | Description | |
| 981 | |---|---|---| |
| 982 | | `--output TEXT` | required | Output file path | |
| 983 | | `--channel-a INTEGER` | 0 | MIDI channel to assign to TRACK_A notes in output | |
| 984 | | `--channel-b INTEGER` | 1 | MIDI channel to assign to TRACK_B notes in output | |
| 985 | |
| 986 | The `--channel-a` / `--channel-b` flags ensure instruments can be differentiated in the mixed output and individual parts can be extracted later. |
| 987 | |
| 988 | --- |
| 989 | |
| 990 | ## 9. Invariants & Quality Gate Commands |
| 991 | |
| 992 | ### `muse midi check` |
| 993 | |
| 994 | Enforce MIDI invariant rules defined in `.museattributes` or inline flags. |
| 995 | |
| 996 | ``` |
| 997 | muse midi check |
| 998 | muse midi check --track tracks/melody.mid |
| 999 | muse midi check --key "G major" --max-polyphony 4 --strict |
| 1000 | ``` |
| 1001 | |
| 1002 | **Flags** |
| 1003 | |
| 1004 | | Flag | Default | Description | |
| 1005 | |---|---|---| |
| 1006 | | `--track TEXT` | all | Restrict check to a single MIDI file | |
| 1007 | | `--key TEXT` | none | Assert that the detected key matches this value | |
| 1008 | | `--max-polyphony INTEGER` | none | Assert that no bar exceeds N simultaneous notes | |
| 1009 | | `--strict` | false | Exit 1 on any violation (CI gate) | |
| 1010 | | `--json` | false | Machine-readable results | |
| 1011 | |
| 1012 | **Use in CI:** add `muse midi check --strict` as a pre-commit hook or CI step to prevent agents from committing tracks that violate compositional rules. |
| 1013 | |
| 1014 | --- |
| 1015 | |
| 1016 | ## 10. Type Reference |
| 1017 | |
| 1018 | ### `NoteInfo` |
| 1019 | |
| 1020 | ```python |
| 1021 | class NoteInfo(NamedTuple): |
| 1022 | pitch: int # MIDI note number 0–127 |
| 1023 | velocity: int # note-on velocity 0–127 |
| 1024 | start_tick: int # onset in MIDI ticks |
| 1025 | duration_ticks: int # duration in MIDI ticks |
| 1026 | channel: int # MIDI channel 0–15 |
| 1027 | ``` |
| 1028 | |
| 1029 | ### Analysis TypedDicts (from `muse/plugins/midi/_analysis.py`) |
| 1030 | |
| 1031 | ```python |
| 1032 | class ScaleMatch(TypedDict): |
| 1033 | root: str |
| 1034 | scale: str |
| 1035 | confidence: float |
| 1036 | out_of_scale_count: int |
| 1037 | |
| 1038 | class RhythmAnalysis(TypedDict): |
| 1039 | quantization_score: float |
| 1040 | syncopation_score: float |
| 1041 | swing_ratio: float |
| 1042 | dominant_subdivision: str |
| 1043 | |
| 1044 | class ContourAnalysis(TypedDict): |
| 1045 | shape: str # ascending | descending | arch | valley | wave | flat |
| 1046 | pitch_range_semitones: int |
| 1047 | direction_changes: int |
| 1048 | avg_interval_size: float |
| 1049 | intervals: list[int] |
| 1050 | |
| 1051 | class BarDensity(TypedDict): |
| 1052 | bar: int |
| 1053 | notes: int |
| 1054 | density: float |
| 1055 | |
| 1056 | class BarTension(TypedDict): |
| 1057 | bar: int |
| 1058 | tension: float |
| 1059 | label: str |
| 1060 | |
| 1061 | class Cadence(TypedDict): |
| 1062 | bar: int |
| 1063 | cadence_type: str # authentic | deceptive | half | plagal |
| 1064 | from_chord: str |
| 1065 | to_chord: str |
| 1066 | |
| 1067 | class Motif(TypedDict): |
| 1068 | intervals: list[int] |
| 1069 | occurrences: int |
| 1070 | first_pitch_name: str |
| 1071 | bars: list[int] |
| 1072 | |
| 1073 | class VoiceLeadingIssue(TypedDict): |
| 1074 | bar: int |
| 1075 | issue_type: str # parallel_fifths | parallel_octaves | large_leap |
| 1076 | description: str |
| 1077 | |
| 1078 | class TempoEstimate(TypedDict): |
| 1079 | bpm: float |
| 1080 | ticks_per_beat: int |
| 1081 | confidence: str # high | medium | low |
| 1082 | method: str |
| 1083 | |
| 1084 | class ChannelInfo(TypedDict): |
| 1085 | channel: int |
| 1086 | note_count: int |
| 1087 | pitch_min: int |
| 1088 | pitch_max: int |
| 1089 | pitch_min_name: str |
| 1090 | pitch_max_name: str |
| 1091 | register: str # bass | mid | treble |
| 1092 | mean_velocity: float |
| 1093 | |
| 1094 | class BarAttribution(TypedDict): |
| 1095 | bar: int |
| 1096 | author: str |
| 1097 | commit_id: str |
| 1098 | message: str |
| 1099 | ``` |
| 1100 | |
| 1101 | ### `PhraseMatch` |
| 1102 | |
| 1103 | ```python |
| 1104 | class PhraseMatch(TypedDict): |
| 1105 | score: float # 0.0–1.0 similarity |
| 1106 | commit_id: str |
| 1107 | author: str |
| 1108 | message: str |
| 1109 | ``` |
| 1110 | |
| 1111 | --- |
| 1112 | |
| 1113 | ## Command Quick-Reference |
| 1114 | |
| 1115 | | Group | Command | One-line description | |
| 1116 | |---|---|---| |
| 1117 | | **Notation** | `muse midi notes` | Every note as musical notation | |
| 1118 | | **Notation** | `muse midi piano-roll` | ASCII piano roll | |
| 1119 | | **Notation** | `muse midi instrumentation` | Per-channel range, register, velocity | |
| 1120 | | **Harmony** | `muse midi harmony` | Bar-by-bar chord detection + key | |
| 1121 | | **Harmony** | `muse midi scale` | Scale/mode detection (15 types × 12 roots) | |
| 1122 | | **Harmony** | `muse midi contour` | Melodic contour shape + interval sequence | |
| 1123 | | **Harmony** | `muse midi tension` | Dissonance score per bar (0–1) | |
| 1124 | | **Harmony** | `muse midi cadence` | Cadence detection at phrase boundaries | |
| 1125 | | **Rhythm** | `muse midi rhythm` | Syncopation, swing, quantisation, subdivision | |
| 1126 | | **Rhythm** | `muse midi tempo` | BPM estimation via IOI voting | |
| 1127 | | **Rhythm** | `muse midi density` | Notes-per-beat per bar — textural arc | |
| 1128 | | **Rhythm** | `muse midi velocity-profile` | Dynamic range and histogram (ppp–fff) | |
| 1129 | | **Structure** | `muse midi motif` | Transposition-invariant motif detection | |
| 1130 | | **Structure** | `muse midi voice-leading` | Parallel fifths/octaves + large leaps lint | |
| 1131 | | **Structure** | `muse midi compare` | Semantic diff across musical dimensions | |
| 1132 | | **History** | `muse midi note-log` | Note-level commit history | |
| 1133 | | **History** | `muse midi note-blame` | Per-bar: which commit wrote these notes | |
| 1134 | | **History** | `muse midi hotspots` | Bar-level churn leaderboard | |
| 1135 | | **Multi-agent** | `muse midi agent-map` | Bar-level blame: which agent last edited | |
| 1136 | | **Multi-agent** | `muse midi find-phrase` | Phrase similarity search across history | |
| 1137 | | **Multi-agent** | `muse midi shard` | Partition into N bar-range shards | |
| 1138 | | **Multi-agent** | `muse midi query` | MIDI DSL predicate query | |
| 1139 | | **Transform** | `muse midi transpose` | Shift all pitches by N semitones | |
| 1140 | | **Transform** | `muse midi invert` | Melodic inversion around a pivot | |
| 1141 | | **Transform** | `muse midi retrograde` | Reverse pitch order | |
| 1142 | | **Transform** | `muse midi quantize` | Snap onsets to a rhythmic grid | |
| 1143 | | **Transform** | `muse midi humanize` | Add timing/velocity jitter | |
| 1144 | | **Transform** | `muse midi arpeggiate` | Chords → arpeggios | |
| 1145 | | **Transform** | `muse midi normalize` | Rescale velocities to target range | |
| 1146 | | **Transform** | `muse midi mix` | Combine two MIDI tracks into one | |
| 1147 | | **Invariants** | `muse midi check` | Enforce MIDI invariant rules | |
| 1148 | |
| 1149 | --- |
| 1150 | |
| 1151 | *See also: [Demo walkthrough](../demo/midi-demo.md) · [CLI Tiers Reference](cli-tiers.md) · [Plugin Authoring Guide](../guide/plugin-authoring-guide.md)* |