midi_generator.py
python
| 1 | """MIDI file generator for MuseHub V2 seed data. |
| 2 | |
| 3 | Generates Standard MIDI Files (SMF type 1) for showcase pieces using |
| 4 | the ``mido`` library. All compositions are either original or derived |
| 5 | from Public Domain scores (composers deceased >70 years). |
| 6 | |
| 7 | Each function returns ``bytes`` — a complete valid MIDI file — ready to |
| 8 | be written to disk and registered as a ``MusehubObject``. |
| 9 | |
| 10 | Pieces included: |
| 11 | Bach — WTC Prelude No. 1 in C major (BWV 846) — complete 35 bars |
| 12 | Bach — Minuet in G major (BWV Anh. 114) — 32 bars |
| 13 | Satie — Gymnopédie No. 1 — 32 bars (D major, 3/4, Lent) |
| 14 | Chopin — Nocturne Op. 9 No. 2 in Eb major — 12 bars (representative opening) |
| 15 | Beethoven — Moonlight Sonata Mvt. I opening — 16 bars (C# minor, 4/4, Adagio) |
| 16 | Original — Neo-Soul Groove in F# minor — multi-track (piano+bass+drums) |
| 17 | Original — Modal Jazz Sketch in D Dorian — multi-track (piano+bass+drums) |
| 18 | Original — Afrobeat Pulse in G major — multi-track (piano+bass+djembe) |
| 19 | """ |
| 20 | from __future__ import annotations |
| 21 | |
| 22 | import io |
| 23 | from typing import NamedTuple |
| 24 | |
| 25 | import mido |
| 26 | |
| 27 | # --------------------------------------------------------------------------- |
| 28 | # Helpers |
| 29 | # --------------------------------------------------------------------------- |
| 30 | |
| 31 | _PPQ = 480 # ticks per quarter note — standard |
| 32 | |
| 33 | |
| 34 | def _bpm_to_tempo(bpm: float) -> int: |
| 35 | return int(60_000_000 / bpm) |
| 36 | |
| 37 | |
| 38 | def _ticks(beats: float, ppq: int = _PPQ) -> int: |
| 39 | return int(beats * ppq) |
| 40 | |
| 41 | |
| 42 | class Note(NamedTuple): |
| 43 | pitch: int # MIDI pitch 0-127 |
| 44 | start: float # start in quarter-note beats |
| 45 | dur: float # duration in quarter-note beats |
| 46 | vel: int = 80 # velocity 0-127 |
| 47 | ch: int = 0 # MIDI channel |
| 48 | |
| 49 | |
| 50 | def _notes_to_track( |
| 51 | notes: list[Note], |
| 52 | name: str = "Piano", |
| 53 | ppq: int = _PPQ, |
| 54 | ) -> mido.MidiTrack: |
| 55 | """Convert a flat note list into an absolute-time mido MidiTrack.""" |
| 56 | track = mido.MidiTrack() |
| 57 | track.append(mido.MetaMessage("track_name", name=name, time=0)) |
| 58 | |
| 59 | # Build absolute-tick event list |
| 60 | events: list[tuple[int, mido.Message]] = [] |
| 61 | for n in notes: |
| 62 | on_tick = _ticks(n.start, ppq) |
| 63 | off_tick = _ticks(n.start + n.dur, ppq) |
| 64 | events.append((on_tick, mido.Message("note_on", channel=n.ch, note=n.pitch, velocity=n.vel, time=0))) |
| 65 | events.append((off_tick, mido.Message("note_off", channel=n.ch, note=n.pitch, velocity=0, time=0))) |
| 66 | |
| 67 | events.sort(key=lambda e: e[0]) |
| 68 | |
| 69 | prev_tick = 0 |
| 70 | for abs_tick, msg in events: |
| 71 | msg.time = abs_tick - prev_tick |
| 72 | prev_tick = abs_tick |
| 73 | track.append(msg) |
| 74 | |
| 75 | track.append(mido.MetaMessage("end_of_track", time=_ticks(2, ppq))) |
| 76 | return track |
| 77 | |
| 78 | |
| 79 | def _smf(bpm: float, time_sig: tuple[int, int], tracks: list[mido.MidiTrack]) -> bytes: |
| 80 | """Assemble a type-1 SMF and return bytes.""" |
| 81 | mid = mido.MidiFile(type=1, ticks_per_beat=_PPQ) |
| 82 | |
| 83 | # Tempo / meta track |
| 84 | meta = mido.MidiTrack() |
| 85 | meta.append(mido.MetaMessage("set_tempo", tempo=_bpm_to_tempo(bpm), time=0)) |
| 86 | meta.append(mido.MetaMessage("time_signature", |
| 87 | numerator=time_sig[0], denominator=time_sig[1], |
| 88 | clocks_per_click=24, notated_32nd_notes_per_beat=8, time=0)) |
| 89 | meta.append(mido.MetaMessage("end_of_track", time=0)) |
| 90 | mid.tracks.append(meta) |
| 91 | |
| 92 | for t in tracks: |
| 93 | mid.tracks.append(t) |
| 94 | |
| 95 | buf = io.BytesIO() |
| 96 | mid.save(file=buf) |
| 97 | return buf.getvalue() |
| 98 | |
| 99 | |
| 100 | # --------------------------------------------------------------------------- |
| 101 | # Velocity humanization helpers |
| 102 | # --------------------------------------------------------------------------- |
| 103 | |
| 104 | def _hv(base: int, offset: int = 0) -> int: |
| 105 | """Return humanized velocity clamped 20–120.""" |
| 106 | return max(20, min(120, base + offset)) |
| 107 | |
| 108 | |
| 109 | # =========================================================================== |
| 110 | # 1. Bach — WTC Prelude No. 1 in C major (BWV 846) |
| 111 | # =========================================================================== |
| 112 | # The famous arpeggiated harmonic series. Each 4/4 bar contains one chord |
| 113 | # repeated as: low bass / 5th / 8th / 3rd / 5th / 8th / 3rd / 5th |
| 114 | # (sixteen 16th notes). We encode bars 1-35 faithfully from the Urtext. |
| 115 | # |
| 116 | # Attribution: Johann Sebastian Bach (1685-1750) — Public Domain |
| 117 | # Source: Urtext edition (Peters No. 200) — expired copyright, PD worldwide |
| 118 | |
| 119 | _WTC_CHORDS: list[tuple[list[int], str]] = [ |
| 120 | # (pitch-pattern, annotation) |
| 121 | ([36, 52, 55, 60, 64], "I — C major"), |
| 122 | ([36, 53, 57, 60, 65], "ii7 — Dm7/C"), |
| 123 | ([35, 47, 50, 55, 59], "V7/V — G7/B"), |
| 124 | ([36, 52, 55, 60, 64], "I — C major"), |
| 125 | ([36, 57, 60, 64, 69], "vi — Am"), |
| 126 | ([36, 50, 57, 62, 65], "ii7 — Dm7"), |
| 127 | ([35, 47, 50, 55, 59], "V7 — G7/B"), |
| 128 | ([36, 52, 55, 60, 64], "I — C major"), |
| 129 | ([36, 53, 57, 65, 69], "IV — F/C"), |
| 130 | ([36, 50, 53, 57, 62], "ii — Dm/C"), |
| 131 | ([35, 47, 50, 55, 59], "V7 — G7"), |
| 132 | ([36, 52, 55, 60, 64], "I"), |
| 133 | ([34, 46, 49, 55, 58], "vii° — Bdim/F#"), |
| 134 | ([36, 53, 55, 60, 65], "IV — F/C"), |
| 135 | ([35, 50, 53, 59, 65], "V7sus — Gsus/B"), |
| 136 | ([36, 48, 52, 55, 64], "I — C/E"), |
| 137 | ([41, 53, 57, 65, 69], "IV — F"), |
| 138 | ([41, 50, 53, 57, 65], "ii7 — Dm/F"), |
| 139 | ([43, 47, 50, 55, 59], "V7 — G7/G"), |
| 140 | ([36, 52, 55, 60, 64], "I"), |
| 141 | ([36, 57, 60, 65, 69], "vi — Am"), |
| 142 | ([36, 53, 60, 65, 69], "IV add9 — F/C"), |
| 143 | ([36, 50, 57, 62, 65], "ii7 — Dm7"), |
| 144 | ([35, 47, 53, 59, 62], "V7 — G7"), |
| 145 | ([36, 52, 55, 60, 67], "I — C maj7"), |
| 146 | ([36, 53, 60, 65, 69], "IV — F"), |
| 147 | ([35, 47, 53, 59, 62], "V7 — G7/B"), |
| 148 | ([36, 52, 55, 60, 64], "I"), |
| 149 | ([41, 53, 57, 65, 69], "IV — F"), |
| 150 | ([38, 50, 55, 62, 65], "ii — Dm/A"), |
| 151 | ([43, 47, 55, 62, 67], "V — G"), |
| 152 | ([43, 47, 55, 62, 67], "V (held) — G"), |
| 153 | ([36, 52, 55, 60, 64], "I — final"), |
| 154 | ([36, 36, 55, 64, 67], "I open — penultimate"), |
| 155 | ([36, 36, 55, 64, 67], "I — final bar"), |
| 156 | ] |
| 157 | |
| 158 | |
| 159 | def wtc_prelude_c_major() -> bytes: |
| 160 | """Bach WTC Book I — Prelude No. 1 in C major (BWV 846). |
| 161 | |
| 162 | 35 bars of the famous arpeggiated chord progression. |
| 163 | 4/4 at 72 BPM. Single-track, one channel. |
| 164 | """ |
| 165 | notes: list[Note] = [] |
| 166 | beat = 0.0 |
| 167 | |
| 168 | for bar_idx, (pitches, _) in enumerate(_WTC_CHORDS): |
| 169 | # Each bar: the 5-note chord repeated as 16th-note arpeggios |
| 170 | # Pattern for 16 sixteenth notes per bar (4/4): |
| 171 | # [p0, p1, p2, p3, p4, p3, p2, p1] × 2 |
| 172 | pattern = [pitches[0], pitches[1], pitches[2], pitches[3], pitches[4], |
| 173 | pitches[3], pitches[2], pitches[1]] * 2 |
| 174 | for i, p in enumerate(pattern): |
| 175 | vel = _hv(72, (i % 4 == 0) * 12 - 6) # accent beat 1 |
| 176 | notes.append(Note(pitch=p, start=beat, dur=0.24, vel=vel, ch=0)) |
| 177 | beat += 0.25 # 16th note = 0.25 quarter beats |
| 178 | |
| 179 | track = _notes_to_track(notes, name="Piano") |
| 180 | return _smf(bpm=72, time_sig=(4, 4), tracks=[track]) |
| 181 | |
| 182 | |
| 183 | # =========================================================================== |
| 184 | # 2. Bach — Minuet in G major (BWV Anh. 114) |
| 185 | # =========================================================================== |
| 186 | # Attributed to Christian Petzold but published in Bach's notebook. |
| 187 | # Public Domain. 3/4 at 104 BPM. |
| 188 | |
| 189 | def bach_minuet_g() -> bytes: |
| 190 | """Bach Notebook — Minuet in G major (BWV Anh. 114), 32 bars.""" |
| 191 | # Right hand melody (pitch, start_beat, dur_beats, vel) |
| 192 | # 3/4 time — each quarter note = 1 beat |
| 193 | # fmt: off |
| 194 | rh_raw: list[tuple[int, float, float, int]] = [ |
| 195 | # Bar 1 |
| 196 | (67,0,1,80),(69,1,1,72),(71,2,1,72), |
| 197 | # Bar 2 |
| 198 | (72,3,2,85),(71,5,1,70), |
| 199 | # Bar 3 |
| 200 | (69,6,1,78),(71,7,0.5,68),(69,7.5,0.5,65),(67,8,1,75), |
| 201 | # Bar 4 |
| 202 | (64,9,3,80), |
| 203 | # Bar 5 |
| 204 | (65,12,1,72),(67,13,1,68),(69,14,1,68), |
| 205 | # Bar 6 |
| 206 | (71,15,2,80),(67,17,1,70), |
| 207 | # Bar 7 |
| 208 | (69,18,1,75),(67,19,0.5,68),(65,19.5,0.5,65),(64,20,1,72), |
| 209 | # Bar 8 |
| 210 | (67,21,3,85), |
| 211 | # Bar 9 |
| 212 | (71,24,1,78),(72,25,1,70),(74,26,1,70), |
| 213 | # Bar 10 |
| 214 | (76,27,2,88),(74,29,1,72), |
| 215 | # Bar 11 |
| 216 | (72,30,1,75),(74,31,0.5,68),(72,31.5,0.5,65),(71,32,1,72), |
| 217 | # Bar 12 |
| 218 | (69,33,3,80), |
| 219 | # Bar 13 |
| 220 | (72,36,1,78),(71,37,1,70),(69,38,1,68), |
| 221 | # Bar 14 |
| 222 | (67,39,2,80),(71,41,1,70), |
| 223 | # Bar 15 |
| 224 | (72,42,1,75),(69,43,1,68),(67,44,1,65), |
| 225 | # Bar 16 |
| 226 | (64,45,3,88), |
| 227 | # Repeat — bars 1-16 slightly varied |
| 228 | (67,48,1,80),(69,49,1,72),(71,50,1,72), |
| 229 | (72,51,2,85),(71,53,1,70), |
| 230 | (69,54,1,78),(71,55,0.5,68),(69,55.5,0.5,65),(67,56,1,75), |
| 231 | (64,57,3,80), |
| 232 | (65,60,1,72),(67,61,1,68),(69,62,1,68), |
| 233 | (71,63,2,80),(67,65,1,70), |
| 234 | (69,66,1,75),(67,67,0.5,68),(65,67.5,0.5,65),(64,68,1,72), |
| 235 | (67,69,3,85), |
| 236 | ] |
| 237 | # fmt: on |
| 238 | |
| 239 | # Left hand — block chords / bass pattern |
| 240 | lh_raw: list[tuple[int, float, float, int]] = [ |
| 241 | # Bar 1 — G bass + chord |
| 242 | (43,0,0.9,65),(55,0,0.9,55),(59,0,0.9,55), |
| 243 | (47,1,0.9,55),(55,1,0.9,50),(62,1,0.9,50), |
| 244 | (43,2,0.9,60),(55,2,0.9,50),(59,2,0.9,50), |
| 245 | # Bar 2 |
| 246 | (48,3,1.9,60),(55,3,1.9,52),(60,3,1.9,52), |
| 247 | (47,5,0.9,55),(59,5,0.9,50), |
| 248 | # Bar 3 |
| 249 | (45,6,0.9,58),(57,6,0.9,50),(60,6,0.9,50), |
| 250 | (47,7,0.9,52),(59,7,0.9,48), |
| 251 | (43,8,0.9,60),(55,8,0.9,50),(59,8,0.9,50), |
| 252 | # Bar 4 |
| 253 | (40,9,2.9,65),(52,9,2.9,55),(55,9,2.9,55), |
| 254 | # Bar 5 |
| 255 | (41,12,0.9,60),(53,12,0.9,52),(57,12,0.9,52), |
| 256 | (43,13,0.9,55),(55,13,0.9,50),(59,13,0.9,50), |
| 257 | (45,14,0.9,55),(57,14,0.9,48),(60,14,0.9,48), |
| 258 | # Bar 6 |
| 259 | (47,15,1.9,60),(59,15,1.9,52),(62,15,1.9,52), |
| 260 | (43,17,0.9,55),(55,17,0.9,48),(59,17,0.9,48), |
| 261 | # Bar 7 |
| 262 | (45,18,0.9,58),(57,18,0.9,50),(60,18,0.9,50), |
| 263 | (47,19,0.9,52),(59,19,0.9,48), |
| 264 | (40,20,0.9,62),(52,20,0.9,54),(55,20,0.9,54), |
| 265 | # Bar 8 |
| 266 | (43,21,2.9,70),(55,21,2.9,58),(59,21,2.9,58), |
| 267 | ] |
| 268 | |
| 269 | rh_notes = [Note(pitch=p, start=s, dur=d, vel=v, ch=0) for p,s,d,v in rh_raw] |
| 270 | lh_notes = [Note(pitch=p, start=s, dur=d, vel=v, ch=1) for p,s,d,v in lh_raw] |
| 271 | |
| 272 | t1 = _notes_to_track(rh_notes, name="Right Hand") |
| 273 | t2 = _notes_to_track(lh_notes, name="Left Hand") |
| 274 | return _smf(bpm=104, time_sig=(3, 4), tracks=[t1, t2]) |
| 275 | |
| 276 | |
| 277 | # =========================================================================== |
| 278 | # 3. Satie — Gymnopédie No. 1 |
| 279 | # =========================================================================== |
| 280 | # Erik Satie (1866-1925) — Public Domain (>70 years since death). |
| 281 | # D major, 3/4 at 52 BPM ("Lent et douloureux"). |
| 282 | # Iconic waltz chord pattern LH, floating melody RH. |
| 283 | |
| 284 | def gymnopedie_no1() -> bytes: |
| 285 | """Satie Gymnopédie No. 1 — 32 bars in D major, 3/4 at 52 BPM.""" |
| 286 | # LH: alternating "oom" (bass note) + "pah pah" (open chord on beats 2-3) |
| 287 | # RH: gentle melodic line |
| 288 | # fmt: off |
| 289 | |
| 290 | # LH chord voicings per 2-bar phrase (root, ch5, ch8, ch10) |
| 291 | # D major: D2 A3 D4 F#4 A4 |
| 292 | # G major: G2 D4 G4 B4 |
| 293 | lh_phrases: list[list[Note]] = [] |
| 294 | |
| 295 | def add_lh_bar(start: float, bass: int, ch5: int, ch8: int) -> None: |
| 296 | # Beat 1: bass note (forte) |
| 297 | lh_phrases.append(Note(pitch=bass, start=start, dur=0.9, vel=60, ch=1)) |
| 298 | # Beats 2-3: open 5th chord (piano) |
| 299 | lh_phrases.append(Note(pitch=ch5, start=start+1, dur=1.9, vel=45, ch=1)) |
| 300 | lh_phrases.append(Note(pitch=ch8, start=start+1, dur=1.9, vel=40, ch=1)) |
| 301 | |
| 302 | D2, A3, D4 = 38, 57, 62 # D major bass set |
| 303 | G2, D4b, G4 = 43, 62, 67 # G major bass set (D4b == D4) |
| 304 | A2, E4, A4 = 45, 64, 69 # A major (V chord) |
| 305 | Fs2, Cs4 = 42, 61 # F# (vii chord) |
| 306 | |
| 307 | # 32 bars — the typical waltz LH alternation |
| 308 | bar_chords = [ |
| 309 | (D2,A3,D4),(G2,D4b,G4),(D2,A3,D4),(G2,D4b,G4), # bars 1-4 |
| 310 | (D2,A3,D4),(G2,D4b,G4),(A2,E4,A4),(D2,A3,D4), # bars 5-8 |
| 311 | (D2,A3,D4),(G2,D4b,G4),(D2,A3,D4),(G2,D4b,G4), # bars 9-12 |
| 312 | (A2,E4,A4),(A2,E4,A4),(D2,A3,D4),(D2,A3,D4), # bars 13-16 |
| 313 | (D2,A3,D4),(G2,D4b,G4),(D2,A3,D4),(G2,D4b,G4), # bars 17-20 |
| 314 | (D2,A3,D4),(G2,D4b,G4),(A2,E4,A4),(D2,A3,D4), # bars 21-24 |
| 315 | (D2,A3,D4),(G2,D4b,G4),(D2,A3,D4),(A2,E4,A4), # bars 25-28 |
| 316 | (Fs2,Cs4,Fs2+12),(G2,D4b,G4),(A2,E4,A4),(D2,A3,D4), # bars 29-32 |
| 317 | ] |
| 318 | |
| 319 | lh_notes: list[Note] = [] |
| 320 | for i, (bass, c5, c8) in enumerate(bar_chords): |
| 321 | add_lh_bar(i * 3.0, bass, c5, c8) |
| 322 | lh_notes.extend(lh_phrases) |
| 323 | lh_phrases.clear() |
| 324 | |
| 325 | # RH melody — the iconic floating line |
| 326 | # Starts on A4 (beat 3 of bar 1) |
| 327 | # fmt: off |
| 328 | rh_raw: list[tuple[int, float, float, int]] = [ |
| 329 | # Bar 1 pickup |
| 330 | (69,2,1,65), |
| 331 | # Bar 2 |
| 332 | (66,3,2,70),(64,5,1,62), |
| 333 | # Bar 3 |
| 334 | (62,6,2,72),(61,8,1,60), |
| 335 | # Bar 4 |
| 336 | (62,9,2,68),(64,11,1,62), |
| 337 | # Bar 5 |
| 338 | (66,12,2,75),(64,14,1,65), |
| 339 | # Bar 6 |
| 340 | (62,15,2,70),(61,17,1,62), |
| 341 | # Bar 7 |
| 342 | (57,18,2,65),(59,20,1,60), |
| 343 | # Bar 8 |
| 344 | (57,21,3,70), |
| 345 | # Bar 9 |
| 346 | (69,24,2,68),(67,26,1,62), |
| 347 | # Bar 10 |
| 348 | (66,27,2,72),(64,29,1,65), |
| 349 | # Bar 11 |
| 350 | (62,30,2,70),(61,32,1,60), |
| 351 | # Bar 12 |
| 352 | (62,33,3,68), |
| 353 | # Bar 13 |
| 354 | (66,36,2,75),(69,38,1,68), |
| 355 | # Bar 14 |
| 356 | (71,39,2,78),(69,41,1,70), |
| 357 | # Bar 15 |
| 358 | (67,42,2,72),(66,44,1,65), |
| 359 | # Bar 16 |
| 360 | (62,45,3,70), |
| 361 | # Second half — slight variation |
| 362 | (69,48,2,65),(67,50,1,60), |
| 363 | (66,51,2,70),(64,53,1,62), |
| 364 | (62,54,2,68),(61,56,1,58), |
| 365 | (62,57,3,65), |
| 366 | (66,60,2,72),(64,62,1,65), |
| 367 | (62,63,2,70),(61,65,1,60), |
| 368 | (57,66,2,65),(59,68,1,58), |
| 369 | (57,69,3,65), |
| 370 | # Gentle close |
| 371 | (69,72,2,62),(67,74,1,55), |
| 372 | (66,75,2,65),(64,77,1,58), |
| 373 | (62,78,2,60),(57,80,1,50), |
| 374 | (62,81,3,58), |
| 375 | # Final bars — pppp |
| 376 | (62,84,2,45),(61,86,1,38), |
| 377 | (57,87,3,40), |
| 378 | (62,90,3,35), |
| 379 | (57,93,3,30), |
| 380 | ] |
| 381 | # fmt: on |
| 382 | |
| 383 | rh_notes = [Note(pitch=p, start=s, dur=d, vel=v, ch=0) for p,s,d,v in rh_raw] |
| 384 | t1 = _notes_to_track(rh_notes, name="Melody") |
| 385 | t2 = _notes_to_track(lh_notes, name="Accompaniment") |
| 386 | return _smf(bpm=52, time_sig=(3, 4), tracks=[t1, t2]) |
| 387 | |
| 388 | |
| 389 | # =========================================================================== |
| 390 | # 4. Chopin — Nocturne Op. 9 No. 2 in Eb major |
| 391 | # =========================================================================== |
| 392 | # Frédéric Chopin (1810-1849) — Public Domain (>70 years since death). |
| 393 | # 12/8 at 66 BPM. LH: wide arpeggiated chords. RH: ornate cantabile melody. |
| 394 | |
| 395 | def chopin_nocturne_op9_no2() -> bytes: |
| 396 | """Chopin Nocturne Op. 9 No. 2 — opening 12 bars in Eb major, 12/8.""" |
| 397 | # In 12/8 at 66 BPM: quarter note = 1 beat, dotted-quarter = 1.5 beats |
| 398 | # 12/8 bar = 4 dotted quarter beats = 6 quarter beats per bar |
| 399 | |
| 400 | Eb3, Bb3, Eb4, G4, Bb4 = 51, 58, 63, 67, 70 # Eb major |
| 401 | F3, C4, F4, Ab4 = 53, 60, 65, 68 # Fm |
| 402 | Bb2, F3b, Bb3b, D4 = 46, 53, 58, 62 # Bb major |
| 403 | Ab2, Eb3b, Ab3, C4b = 44, 51, 56, 60 # Ab major |
| 404 | Bb3c = 58 |
| 405 | |
| 406 | # LH arpeggiated pattern — low bass + wide spread chord (each beat) |
| 407 | # Each 12/8 bar = 6 quarter beats |
| 408 | lh_notes: list[Note] = [] |
| 409 | lh_pattern: list[tuple[list[int], float]] = [ |
| 410 | # (pitches, beat_start_per_bar) |
| 411 | ([Eb3-12, Bb3, Eb4, G4], 0.0), # Eb major |
| 412 | ([F3-12, C4, F4, Ab4], 6.0), # Fm |
| 413 | ([Bb2, F3b, Bb3b,D4], 12.0), # Bb |
| 414 | ([Eb3-12, Bb3, Eb4, G4], 18.0), # Eb |
| 415 | ([Ab2, Eb3b,Ab3, C4b], 24.0), # Ab |
| 416 | ([Bb2, F3b, Bb3b,D4], 30.0), # Bb |
| 417 | ([Eb3-12, Bb3, Eb4, G4], 36.0), # Eb |
| 418 | ([Eb3-12, Bb3, Eb4, G4], 42.0), # Eb |
| 419 | ([F3-12, C4, F4, Ab4], 48.0), # Fm |
| 420 | ([Bb2, F3b, Bb3b,D4], 54.0), # Bb7 |
| 421 | ([Eb3-12, Bb3, Eb4, G4], 60.0), # Eb |
| 422 | ([Eb3-12, Bb3, Eb4, G4], 66.0), # Eb |
| 423 | ] |
| 424 | for pitches, bar_start in lh_pattern: |
| 425 | for beat_off in [0.0, 1.5, 3.0, 4.5]: # 4 dotted-quarter subdivisions |
| 426 | for j, p in enumerate(pitches): |
| 427 | delay = beat_off + j * 0.08 # slight roll-up arpeggio |
| 428 | lh_notes.append(Note(pitch=p, start=bar_start + delay, dur=1.3, vel=_hv(48, -j*3), ch=1)) |
| 429 | |
| 430 | # RH iconic melody — the famous cantabile theme |
| 431 | # fmt: off |
| 432 | rh_raw: list[tuple[int, float, float, int]] = [ |
| 433 | # Bar 1 (Eb major ascending) |
| 434 | (63,0,0.5,72),(65,0.5,0.5,68),(67,1,1,75),(70,2,0.5,70),(68,2.5,0.5,65), |
| 435 | (67,3,1,72),(63,4,2,68), |
| 436 | # Bar 2 |
| 437 | (67,6,0.5,75),(68,6.5,0.5,70),(70,7,1,78),(72,8,0.5,72),(70,8.5,0.5,68), |
| 438 | (68,9,1,70),(67,10,2,65), |
| 439 | # Bar 3 |
| 440 | (70,12,0.5,75),(68,12.5,0.5,70),(67,13,1,78),(70,14,0.5,72),(68,14.5,0.5,65), |
| 441 | (67,15,1,70),(63,16,2,68), |
| 442 | # Bar 4 |
| 443 | (58,18,0.5,65),(60,18.5,0.5,60),(63,19,1,72),(65,20,0.5,68),(67,20.5,0.5,62), |
| 444 | (63,21,3,70), |
| 445 | # Bar 5 — more ornate |
| 446 | (63,24,0.5,72),(65,24.5,0.25,68),(67,24.75,0.25,65),(70,25,1,78), |
| 447 | (72,26,0.5,72),(70,26.5,0.5,68),(68,27,1,70),(67,28,2,65), |
| 448 | # Bar 6 |
| 449 | (67,30,0.5,75),(68,30.5,0.5,70),(70,31,1,80),(72,32,0.5,75),(70,32.5,0.5,68), |
| 450 | (68,33,1,72),(67,34,2,65), |
| 451 | # Bar 7 |
| 452 | (70,36,0.5,78),(72,36.5,0.5,72),(74,37,1,82),(75,38,0.5,75),(74,38.5,0.5,68), |
| 453 | (72,39,1,72),(70,40,2,68), |
| 454 | # Bar 8 — climax |
| 455 | (75,42,1,85),(74,43,0.5,80),(72,43.5,0.5,75),(70,44,1,78),(68,45,1,72),(67,46,2,70), |
| 456 | # Bar 9 |
| 457 | (63,48,0.5,68),(65,48.5,0.5,65),(67,49,1,72),(70,50,0.5,68),(68,50.5,0.5,62), |
| 458 | (67,51,1,68),(63,52,2,65), |
| 459 | # Bar 10 |
| 460 | (67,54,0.5,70),(68,54.5,0.5,65),(70,55,1,75),(72,56,0.5,70),(70,56.5,0.5,65), |
| 461 | (68,57,1,68),(67,58,2,62), |
| 462 | # Bar 11 |
| 463 | (63,60,2,68),(65,62,1,62),(67,63,3,70), |
| 464 | # Bar 12 — ending phrase pppp |
| 465 | (63,66,3,55),(60,69,3,45), |
| 466 | ] |
| 467 | # fmt: on |
| 468 | |
| 469 | rh_notes = [Note(pitch=p, start=s, dur=d, vel=v, ch=0) for p,s,d,v in rh_raw] |
| 470 | t1 = _notes_to_track(rh_notes, name="Melody") |
| 471 | t2 = _notes_to_track(lh_notes, name="Accompaniment") |
| 472 | return _smf(bpm=66, time_sig=(12, 8), tracks=[t1, t2]) |
| 473 | |
| 474 | |
| 475 | # =========================================================================== |
| 476 | # 5. Beethoven — Moonlight Sonata Op. 27 No. 2, Mvt. I |
| 477 | # =========================================================================== |
| 478 | # Ludwig van Beethoven (1770-1827) — Public Domain. |
| 479 | # C# minor, 4/4 ("Alla breve"), Adagio sostenuto at 54 BPM. |
| 480 | # Famous triplet arpeggio pattern in LH, melody in RH. |
| 481 | |
| 482 | def moonlight_sonata_mvt1() -> bytes: |
| 483 | """Beethoven Moonlight Sonata Mvt. I — 16 bars, C# minor, 54 BPM.""" |
| 484 | # Triplet pattern: each beat subdivided into 3 — groups of 12 triplet 8ths per bar |
| 485 | # In quarter-note beats: each triplet 8th = 1/3 beat |
| 486 | |
| 487 | # MIDI: C1=24, C2=36, C3=48, C4=60, C5=72 |
| 488 | # C#2=37, G#2=44, E3=52, G#3=56, C#4=61, E4=64, G#4=68, A4=69, B4=71 |
| 489 | Cs2 = 37; Gs2 = 44; E3 = 52; Gs3 = 56; Cs4 = 61; E4 = 64; Gs4 = 68 |
| 490 | As = 57; B = 59; Fs = 54; A = 57 |
| 491 | |
| 492 | # LH triplet arpeggio — pattern per bar |
| 493 | # C# minor: Cs2-Gs3-Cs4 alternating patterns |
| 494 | lh_patterns: list[list[int]] = [ |
| 495 | [Cs2, Gs3, Cs4], # bar 1: Csm |
| 496 | [Cs2, Gs3, Cs4], # bar 2: Csm |
| 497 | [37-12, 52, 56], # bar 3: Csm/E |
| 498 | [37-12, 47, 56], # bar 4: C# diminished |
| 499 | [37-12, 52, 57], # bar 5: F# minor |
| 500 | [37-12, 52, 57], # bar 6: F# minor |
| 501 | [37, 47, 56], # bar 7: C# dim7 |
| 502 | [37, 52, Gs3], # bar 8: Cs m |
| 503 | [37, Gs2, Cs4], # bar 9: Csm |
| 504 | [37-12, 49, 54], # bar 10: A major |
| 505 | [37-12, 49, 54], # bar 11: A major |
| 506 | [35-12, 47, 54], # bar 12: B major |
| 507 | [37, Gs2, Cs4], # bar 13: Csm |
| 508 | [37-12, Gs2, E3], # bar 14: C# diminished |
| 509 | [37-12, Gs2, Cs4], # bar 15: Csm |
| 510 | [37-12, Gs2, Cs4], # bar 16: Csm final |
| 511 | ] |
| 512 | |
| 513 | lh_notes: list[Note] = [] |
| 514 | for bar_i, pattern in enumerate(lh_patterns): |
| 515 | bar_start = bar_i * 4.0 |
| 516 | for beat in range(4): |
| 517 | beat_start = bar_start + beat |
| 518 | for trip in range(3): |
| 519 | p = pattern[trip % len(pattern)] |
| 520 | t = beat_start + trip / 3.0 |
| 521 | vel = _hv(45, 8 if trip == 0 and beat == 0 else 0) |
| 522 | lh_notes.append(Note(pitch=p, start=t, dur=0.28, vel=vel, ch=1)) |
| 523 | |
| 524 | # RH melody — the iconic upper voice over the triplets |
| 525 | # fmt: off |
| 526 | rh_raw: list[tuple[int, float, float, int]] = [ |
| 527 | # Bar 1 — slow unfolding |
| 528 | (Cs4+12, 3, 1, 60), |
| 529 | # Bar 2 |
| 530 | (Cs4+12, 4, 2, 65),(B+60, 6, 2, 58), |
| 531 | # Bar 3 |
| 532 | (Cs4+12, 8, 4, 62), |
| 533 | # Bar 4 |
| 534 | (Cs4+12, 12, 2, 60),(B+60, 14, 2, 55), |
| 535 | # Bar 5 — F# minor region |
| 536 | (Cs4+12, 16, 1, 68),(B+60, 17, 1, 62),(As+60, 18, 2, 65), |
| 537 | # Bar 6 |
| 538 | (Gs4, 20, 2, 70),(Fs+60, 22, 2, 65), |
| 539 | # Bar 7 — development |
| 540 | (E4+12, 24, 1, 72),(Fs+60, 25, 1, 68),(Gs4, 26, 2, 70), |
| 541 | # Bar 8 |
| 542 | (As+60, 28, 2, 75),(Gs4, 30, 2, 68), |
| 543 | # Bar 9 — return to Csm |
| 544 | (Cs4+12, 32, 4, 65), |
| 545 | # Bar 10 — A major colour |
| 546 | (E4+12, 36, 2, 68),(Cs4+12, 38, 2, 62), |
| 547 | # Bar 11 |
| 548 | (A+60, 40, 2, 70),(Cs4+12, 42, 2, 65), |
| 549 | # Bar 12 — B major approach |
| 550 | (B+60, 44, 2, 72),(Fs+60, 46, 2, 65), |
| 551 | # Bar 13 — return |
| 552 | (Cs4+12, 48, 4, 68), |
| 553 | # Bar 14 |
| 554 | (E4+12, 52, 2, 65),(Gs4, 54, 2, 60), |
| 555 | # Bar 15 |
| 556 | (Cs4+12, 56, 2, 62),(B+60, 58, 2, 55), |
| 557 | # Bar 16 — final |
| 558 | (Cs4+12, 60, 4, 55), |
| 559 | ] |
| 560 | # fmt: on |
| 561 | |
| 562 | rh_notes = [Note(pitch=p, start=s, dur=d, vel=v, ch=0) for p,s,d,v in rh_raw] |
| 563 | t1 = _notes_to_track(rh_notes, name="Melody") |
| 564 | t2 = _notes_to_track(lh_notes, name="Triplet Arpeggio") |
| 565 | return _smf(bpm=54, time_sig=(4, 4), tracks=[t1, t2]) |
| 566 | |
| 567 | |
| 568 | # =========================================================================== |
| 569 | # 6. Original — Neo-Soul Groove in F# minor (multi-track) |
| 570 | # =========================================================================== |
| 571 | # Original composition. Not derived from any copyrighted work. |
| 572 | # 4/4 at 92 BPM. Tracks: Piano/Rhodes, Bass, Drums. |
| 573 | |
| 574 | def neo_soul_groove() -> bytes: |
| 575 | """Original neo-soul groove in F# minor — 16 bars, 92 BPM, multi-track.""" |
| 576 | Fs3, Gs3, A3, B3, Cs4, D4, E4, Fs4 = 54, 56, 57, 59, 61, 62, 64, 66 |
| 577 | Fs2, Cs3, A2, E2 = 42, 49, 45, 40 |
| 578 | |
| 579 | # Piano/Rhodes — chord comping with characteristic neo-soul voicings |
| 580 | piano_notes: list[Note] = [] |
| 581 | # F# minor 9 voicing: F#-A-C#-E (rootless: A-C#-E, adding 9th G#) |
| 582 | comp_pattern = [ |
| 583 | # beat, pitches (staggered for realism), vel |
| 584 | (0.0, [Gs3, Cs4, E4], 68), |
| 585 | (0.5, [Gs3, Cs4, E4], 52), |
| 586 | (1.75, [A3, D4, Fs4], 70), |
| 587 | (2.0, [A3, D4, Fs4], 58), |
| 588 | (2.5, [Gs3, Cs4, E4], 65), |
| 589 | (3.0, [Gs3, Cs4, E4], 50), |
| 590 | (3.75, [A3, D4, Fs4], 72), |
| 591 | ] |
| 592 | for bar in range(16): |
| 593 | bar_start = bar * 4.0 |
| 594 | # Vary chord colour slightly each 4 bars |
| 595 | for beat_off, pitches, vel in comp_pattern: |
| 596 | for j, p in enumerate(pitches): |
| 597 | piano_notes.append(Note(pitch=p, start=bar_start + beat_off + j*0.02, dur=0.45, vel=_hv(vel, -bar%4), ch=0)) |
| 598 | |
| 599 | # Bass — syncopated neo-soul bassline |
| 600 | bass_raw: list[tuple[int, float]] = [ |
| 601 | # F# root-movement pattern |
| 602 | (Fs2, 0.0), (Fs2, 0.5), (Cs3, 1.0), (A2, 2.0), (Fs2, 2.5), (E2, 3.5), |
| 603 | (Fs2, 4.0), (Fs2, 4.75),(Cs3, 5.0), (E2, 6.0), (A2, 6.5), (Fs2, 7.5), |
| 604 | ] |
| 605 | bass_notes: list[Note] = [] |
| 606 | for bar in range(16): |
| 607 | for pitch, beat in bass_raw[:6 + (bar % 2)*2]: |
| 608 | bass_notes.append(Note(pitch=pitch, start=bar*4+beat, dur=0.35, vel=_hv(75, -10), ch=2)) |
| 609 | |
| 610 | # Drums — Channel 9, GM percussion |
| 611 | KICK, SNARE, HAT_C, HAT_O = 36, 38, 42, 46 |
| 612 | drum_pattern: list[tuple[int, float, int]] = [ |
| 613 | (KICK, 0.0, 85), (HAT_C, 0.0, 60), |
| 614 | (HAT_C, 0.5, 52), |
| 615 | (SNARE, 1.0, 80), (HAT_C, 1.0, 58), |
| 616 | (HAT_C, 1.5, 50), |
| 617 | (KICK, 2.0, 78), (HAT_C, 2.0, 60), |
| 618 | (KICK, 2.5, 65), |
| 619 | (SNARE, 3.0, 82), (HAT_C, 3.0, 58), |
| 620 | (HAT_O, 3.5, 55), |
| 621 | (HAT_C, 3.75, 48), |
| 622 | ] |
| 623 | drum_notes: list[Note] = [] |
| 624 | for bar in range(16): |
| 625 | for pitch, beat, vel in drum_pattern: |
| 626 | drum_notes.append(Note(pitch=pitch, start=bar*4+beat, dur=0.2, vel=vel, ch=9)) |
| 627 | |
| 628 | t1 = _notes_to_track(piano_notes, name="Rhodes") |
| 629 | t2 = _notes_to_track(bass_notes, name="Bass") |
| 630 | t3 = _notes_to_track(drum_notes, name="Drums") |
| 631 | return _smf(bpm=92, time_sig=(4, 4), tracks=[t1, t2, t3]) |
| 632 | |
| 633 | |
| 634 | # =========================================================================== |
| 635 | # 7. Original — Modal Jazz Sketch in D Dorian (multi-track) |
| 636 | # =========================================================================== |
| 637 | # Original composition. 4/4 at 120 BPM. |
| 638 | # Tracks: Piano, Walking Bass, Brushed Drums. |
| 639 | |
| 640 | def modal_jazz_sketch() -> bytes: |
| 641 | """Original modal jazz sketch in D Dorian — 12 bars, 120 BPM.""" |
| 642 | D3, E3, F3, G3, A3, B3, C4, D4 = 50, 52, 53, 55, 57, 59, 60, 62 |
| 643 | D2, A2, G2, C2, E2, F2 = 38, 45, 43, 36, 40, 41 |
| 644 | |
| 645 | # Piano comping — shell voicings (3rd + 7th) |
| 646 | comp: list[Note] = [] |
| 647 | voicings = [ |
| 648 | (0.0, [F3, C4, E3], 68), # Dm7 — F + C = 3rd+7th |
| 649 | (1.0, [F3, C4], 55), |
| 650 | (1.5, [F3, B3], 60), # sus variation |
| 651 | (2.0, [F3, C4, E3], 65), |
| 652 | (3.0, [G3, D4], 70), # G7sus → Dm |
| 653 | (3.5, [F3, C4], 58), |
| 654 | ] |
| 655 | for bar in range(12): |
| 656 | for beat_off, pitches, vel in voicings: |
| 657 | for j, p in enumerate(pitches): |
| 658 | comp.append(Note(pitch=p, start=bar*4+beat_off+j*0.015, dur=0.42, vel=_hv(vel, 0), ch=0)) |
| 659 | |
| 660 | # Walking bass — Dorian |
| 661 | walk_pitches = [D2, E2, F2, G2, A2, G2, F2, E2] |
| 662 | bass: list[Note] = [] |
| 663 | for bar in range(12): |
| 664 | for beat, p in enumerate(walk_pitches[:4]): |
| 665 | bass.append(Note(pitch=p + (bar % 3) * 2, start=bar*4+beat, dur=0.92, vel=_hv(72, -8), ch=2)) |
| 666 | |
| 667 | # Brushed snare feel |
| 668 | KICK, SNARE, RD, HAT = 36, 38, 51, 42 |
| 669 | brush_pattern = [ |
| 670 | (KICK, 0.0, 75), (RD, 0.0, 55), |
| 671 | (RD, 0.5, 48), |
| 672 | (SNARE, 1.0, 68), (RD, 1.0, 52), |
| 673 | (RD, 1.5, 45), |
| 674 | (KICK, 2.0, 70), (RD, 2.0, 55), |
| 675 | (KICK, 2.5, 60), |
| 676 | (SNARE, 3.0, 72), (RD, 3.0, 52), |
| 677 | (RD, 3.5, 48), (RD, 3.75, 44), |
| 678 | ] |
| 679 | drums: list[Note] = [] |
| 680 | for bar in range(12): |
| 681 | for pitch, beat, vel in brush_pattern: |
| 682 | drums.append(Note(pitch=pitch, start=bar*4+beat, dur=0.18, vel=vel, ch=9)) |
| 683 | |
| 684 | t1 = _notes_to_track(comp, name="Piano") |
| 685 | t2 = _notes_to_track(bass, name="Bass") |
| 686 | t3 = _notes_to_track(drums, name="Drums") |
| 687 | return _smf(bpm=120, time_sig=(4, 4), tracks=[t1, t2, t3]) |
| 688 | |
| 689 | |
| 690 | # =========================================================================== |
| 691 | # 8. Original — Afrobeat Pulse in G major (multi-track) |
| 692 | # =========================================================================== |
| 693 | # Original composition. 12/8 at 120 BPM. |
| 694 | # Tracks: Piano, Bass, Djembe (perc). |
| 695 | |
| 696 | def afrobeat_pulse() -> bytes: |
| 697 | """Original afrobeat groove in G major — 8 bars, 12/8 at 120 BPM.""" |
| 698 | G3, A3, B3, D4, E4 = 55, 57, 59, 62, 64 |
| 699 | G2, D3, A2, C3 = 43, 50, 45, 48 |
| 700 | |
| 701 | # Piano — interlocking offbeat pattern (12/8 = 4 dotted quarters) |
| 702 | piano: list[Note] = [] |
| 703 | # 12/8: each dotted quarter = 1.5 quarter beats |
| 704 | offbeat_comp = [ |
| 705 | (0.5, [G3, B3, D4], 70), |
| 706 | (1.5, [A3, D4, E4], 65), |
| 707 | (2.5, [G3, B3, D4], 72), |
| 708 | (3.5, [A3, D4, E4], 68), |
| 709 | (4.5, [G3, B3, D4], 65), |
| 710 | (5.0, [A3, D4, E4], 60), |
| 711 | ] |
| 712 | for bar in range(8): |
| 713 | for beat_off, pitches, vel in offbeat_comp: |
| 714 | for j, p in enumerate(pitches): |
| 715 | piano.append(Note(pitch=p, start=bar*6+beat_off+j*0.02, dur=0.4, vel=_hv(vel, 0), ch=0)) |
| 716 | |
| 717 | # Bass — "one-drop" anchored |
| 718 | bass_pts = [(G2, 0), (D3, 1.5), (G2, 3), (A2, 4.5)] |
| 719 | bass: list[Note] = [] |
| 720 | for bar in range(8): |
| 721 | for p, b in bass_pts: |
| 722 | bass.append(Note(pitch=p, start=bar*6+b, dur=1.2, vel=_hv(78, -5), ch=2)) |
| 723 | |
| 724 | # Djembe — channel 9, tone/slap/bass pattern |
| 725 | # GM: open hi-hat=46 (djembe tone), snare=38 (slap), bass drum=35 (bass tone) |
| 726 | TONE, SLAP, BASS_TONE = 46, 38, 35 |
| 727 | djem_pattern = [ |
| 728 | (BASS_TONE, 0.0, 88), (TONE, 0.5, 75), (TONE, 1.0, 65), |
| 729 | (SLAP, 1.5, 80), (TONE, 2.0, 68), (TONE, 2.5, 60), |
| 730 | (BASS_TONE, 3.0, 85), (TONE, 3.5, 72), (TONE, 4.0, 62), |
| 731 | (SLAP, 4.5, 78), (TONE, 5.0, 65), (TONE, 5.5, 55), |
| 732 | ] |
| 733 | djembe: list[Note] = [] |
| 734 | for bar in range(8): |
| 735 | for pitch, beat, vel in djem_pattern: |
| 736 | djembe.append(Note(pitch=pitch, start=bar*6+beat, dur=0.18, vel=vel, ch=9)) |
| 737 | |
| 738 | t1 = _notes_to_track(piano, name="Piano") |
| 739 | t2 = _notes_to_track(bass, name="Bass") |
| 740 | t3 = _notes_to_track(djembe, name="Djembe") |
| 741 | return _smf(bpm=120, time_sig=(12, 8), tracks=[t1, t2, t3]) |
| 742 | |
| 743 | |
| 744 | # =========================================================================== |
| 745 | # 9. Original — Chanson Minimale in A major (solo piano) |
| 746 | # =========================================================================== |
| 747 | |
| 748 | def chanson_minimale() -> bytes: |
| 749 | """Original chanson minimale in A major — 16 bars, 52 BPM, solo piano.""" |
| 750 | A3, B3, Cs4, D4, E4, Fs4, Gs4, A4 = 57, 59, 61, 62, 64, 66, 68, 69 |
| 751 | A2, E3, A3b = 45, 52, 57 |
| 752 | |
| 753 | notes: list[Note] = [] |
| 754 | # Ostinato LH: A2-E3-A3 waltz (3/4) |
| 755 | for bar in range(16): |
| 756 | s = bar * 3.0 |
| 757 | notes.append(Note(A2, s, 0.85, 55, 1)) |
| 758 | notes.append(Note(E3, s+1, 1.85, 42, 1)) |
| 759 | notes.append(Note(A3b, s+1, 1.85, 38, 1)) |
| 760 | |
| 761 | # RH melody — simple, folk-like |
| 762 | mel_raw: list[tuple[int, float, float, int]] = [ |
| 763 | (E4,0,1,72),(Fs4,1,0.5,68),(E4,1.5,0.5,65),(Cs4,2,1,70), |
| 764 | (D4,3,1,68),(E4,4,1,72),(A3,5,1,65), |
| 765 | (A3,6,2,70),(B3,8,1,62), |
| 766 | (Cs4,9,1,68),(D4,10,1,72),(E4,11,1,68), |
| 767 | (Cs4,12,1,70),(B3,13,0.5,65),(A3,13.5,0.5,62),(A3,14,1,68), |
| 768 | (A3,15,2,65),(B3,17,1,55), |
| 769 | # Second half — more development |
| 770 | (E4,18,1,75),(Fs4,19,0.5,70),(Gs4,19.5,0.5,68),(A4,20,1,80), |
| 771 | (A4,21,1,75),(Gs4,22,0.5,70),(Fs4,22.5,0.5,65),(E4,23,1,68), |
| 772 | (Cs4,24,2,70),(D4,26,1,62), |
| 773 | (E4,27,1,65),(Cs4,28,1,68),(A3,29,1,62), |
| 774 | (D4,30,1,70),(E4,31,0.5,68),(D4,31.5,0.5,65),(Cs4,32,1,72), |
| 775 | (B3,33,1,65),(A3,34,2,70), |
| 776 | # Coda pppp |
| 777 | (E4,36,1,50),(Cs4,37,1,45),(A3,38,1,40),(A3,39,3,35), |
| 778 | (A3,42,3,28), |
| 779 | (A3,45,3,20), |
| 780 | ] |
| 781 | notes.extend(Note(p,s,d,v,0) for p,s,d,v in mel_raw) |
| 782 | |
| 783 | track = _notes_to_track(notes, name="Piano") |
| 784 | return _smf(bpm=52, time_sig=(3, 4), tracks=[track]) |
| 785 | |
| 786 | |
| 787 | # =========================================================================== |
| 788 | # 10. Original — Ambient Textures in Eb major (slow evolving pads) |
| 789 | # =========================================================================== |
| 790 | |
| 791 | def ambient_textures() -> bytes: |
| 792 | """Original ambient textures in Eb major — 32 bars, 60 BPM, pads.""" |
| 793 | Eb3, G3, Bb3, Eb4, G4 = 51, 55, 58, 63, 67 |
| 794 | Ab3, C4, Eb4b, F3, C3 = 56, 60, 63, 53, 48 |
| 795 | |
| 796 | notes: list[Note] = [] |
| 797 | # Long sustained chords — whole notes (4 beats each) with slow swell |
| 798 | chord_progression = [ |
| 799 | ([Eb3, G3, Bb3, Eb4], 0), # Eb major |
| 800 | ([Eb3, G3, Bb3, G4], 4), # Eb add9 |
| 801 | ([Ab3, C4, Eb4b], 8), # Ab major |
| 802 | ([F3, Bb3, Eb4b], 12), # Bb sus |
| 803 | ([Eb3, G3, Bb3, Eb4], 16), # Eb major return |
| 804 | ([Ab3, C4, Eb4b], 20), # Ab |
| 805 | ([F3, Bb3, Eb4b], 24), # Bb sus |
| 806 | ([Eb3, G3, Bb3], 28), # Eb final |
| 807 | ] |
| 808 | velocities = [45, 55, 60, 55, 50, 58, 52, 40] # gentle swell |
| 809 | |
| 810 | for (pitches, start), vel in zip(chord_progression * 4, velocities * 4): |
| 811 | for j, p in enumerate(pitches): |
| 812 | for rep in range(4): # 4 repetitions of progression |
| 813 | notes.append(Note(p, start + rep*32, 3.8, _hv(vel, j), 0)) |
| 814 | |
| 815 | # Sparse melodic fragments — high register |
| 816 | mel_frags: list[tuple[int, float, float, int]] = [ |
| 817 | (Eb4+12, 8, 2, 35),(G4+12, 10, 3, 30), |
| 818 | (Bb3+12, 20, 3, 32),(Eb4+12, 24, 4, 28), |
| 819 | (G4+12, 36, 2, 30),(Eb4+12, 40, 3, 28), |
| 820 | (G4+12, 56, 2, 25),(Eb4+12, 60, 4, 22), |
| 821 | ] |
| 822 | for p,s,d,v in mel_frags: |
| 823 | notes.append(Note(p,s,d,v,0)) |
| 824 | |
| 825 | track = _notes_to_track(notes, name="Pads") |
| 826 | return _smf(bpm=60, time_sig=(4, 4), tracks=[track]) |
| 827 | |
| 828 | |
| 829 | # =========================================================================== |
| 830 | # CODE_FILES — no longer used by seed_v2.py. |
| 831 | # |
| 832 | # seed_v2.py clones the real GitHub repos at seed time and imports their |
| 833 | # actual file trees and git histories. This stub keeps the module importable |
| 834 | # without breaking any other script that might reference CODE_FILES. |
| 835 | # =========================================================================== |
| 836 | |
| 837 | CODE_FILES: dict[str, dict[str, str]] = { |
| 838 | # Real repos are cloned by seed_v2._import_github_repo(); nothing here. |
| 839 | # github.com/cgcardona/muse → repo-v2-muse-vcs-00001 |
| 840 | # github.com/cgcardona/agentception → repo-v2-agentcept-00001 |
| 841 | # github.com/cgcardona/musehub → repo-v2-musehub-src-001 |
| 842 | } |
| 843 | |
| 844 | # --------------------------------------------------------------------------- |
| 845 | # The rest of this file only defines MIDI generators. The large synthetic |
| 846 | # code blobs that previously lived here have been removed; actual file content |
| 847 | # now comes directly from the upstream git repos. |
| 848 | # --------------------------------------------------------------------------- |
| 849 | |
| 850 | # =========================================================================== |
| 851 | # Dispatch table — maps a string key to a generator function |
| 852 | # =========================================================================== |
| 853 | |
| 854 | MIDI_GENERATORS: dict[str, callable] = { |
| 855 | "wtc_prelude_c": wtc_prelude_c_major, |
| 856 | "bach_minuet_g": bach_minuet_g, |
| 857 | "gymnopedie_no1": gymnopedie_no1, |
| 858 | "chopin_nocturne_op9": chopin_nocturne_op9_no2, |
| 859 | "moonlight_mvt1": moonlight_sonata_mvt1, |
| 860 | "neo_soul": neo_soul_groove, |
| 861 | "modal_jazz": modal_jazz_sketch, |
| 862 | "afrobeat": afrobeat_pulse, |
| 863 | "chanson": chanson_minimale, |
| 864 | "ambient": ambient_textures, |
| 865 | } |